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Am I being too safe?

Here I go again questioning my proposed balloon arch, am I being too safe with this? Am I trying to fit in too much with the rest of the group? Deep down I want to do something live but I also worry that I wont have a presence in the show for 3 months, again I question, does this really matter? The strength in my work is having a live presence and using myself as material in a temporary situation. I could simply do a live piece on the opening night and repeat it intermittently over the 3-month period say once a week. I guess how long and when will depend on the nature of the work. I really struggle making proposals 2/3 months in advance of actually realising the work as it always changes. I feel really strongly that I do not want to show video documentation and that I want to use the energy and situation of an opening night. These feelings of worry are part of my process when I make live work, fear of looking stupid and crossing the line of the ‘status quo’ fills me with anxiety but also drives my work. I sense that the group would rather I showed a video or an object as they are easier to curate which I feel is the wrong attitude.

This week I have been doing some research on the Internet looking for images, which represent ‘celebrations’ and ‘parties’ this is helping me build a picture of how I want my mini event to look. I feel that the balloon drop idea is what I want to go with and to start building the performance around this. I need to consider if I want my event to look like an informal party or more corporate looking? Could I somehow combine the two aesthetics? I really like the structure of a corporate stand, which has two or three elements such as a display board, poster stand and plinth. These objects would be easy to move around the space and place next to the balloon net. On the Internet I found information about Liverpool’s sister cities, whatever that really means? They are Cologne, Germany and Shanghai, China. From this research I am eager to have an ‘International’ flavour to my performance. On a-n website I have been reading the visual arts research paper titled ‘Biennial and citywide events’ and I particularly enjoyed Jan Verwoert piece ‘Forget the national: Perform the International in the key of the local (and vice versa)!’ (www.a-n.co.uk/p/471538/) When I think of ‘events’ I also consider this to be birthday parties, weddings, a dinner party, and meeting up with friends. However I am aware of how large-scale events are taking over our city spaces for example last year we had the ‘International Arts Festival’ in Manchester, the following month, ‘Spanish weekend’ and after this was the Jazz Festival.


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Liverpool JMU MA Fine Art Show

This week we had a meeting about our upcoming MA show which will be happening in September. The exhibition will be different to the usual degree show were the work is separated out into individual spaces, all the work will be curated in the gallery space. My assessment performance and video piece ‘Departures’ will not be appropriate for the exhibition so I need to produce a new piece of work. This has been stressing me out a bit even though I know that this is the cycle of being an artist I just feel a bit miffed that myself and one other artist on the course will need to make new work. It just feels a bit strange that we have been assessed and finished our MA although the final show wont be until September. The gallery was originally designed to be a shop so at the far end the walls are made of glass and is an unusually long space. My concern at the moment is that there is a lot of video and smaller object based work, which I feel that the high ceilings may swallow up. The show will be on for 3 months to coincide with the Liverpool Biennial, which is an amazing opportunity, however as the duration is so long makes it problematic to make live work for it. I have been thinking about doing a balloon drop and treat the opening night of the show as a mini event, which I would compare. I have been researching balloon drops and have found some images of different designs and formations of which I particularly like the balloon arch. I like the fact that balloons are used for celebrations and make an immediate visual impact. The balloon arch would be straightforward to design and install, although as time passes they will start to deflate which I am intrigued to see what they will look like after three months. I see the deflation of the balloons as marking the passing of time and symbolizing the end of the party.


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Gallery tour script ideas

*Speak in a computerized voice

Meet & greet visitors take them inside

We all face the window and wave to people

Please take your shoes off

Archway placed around glass door

Room is lit red with a toy dog in the corner

Brief introduction to space

Lead visitors to the Kitchen

Tell a story about an artist who has made food in the kitchen

Fan myself

Enter back into gallery space

Lead visitors to adjacent door in the wall

Enter into the dark space with a light

Close the door

Turn light off

Play sound of fireworks

Exit door back into gallery

Start moving objects around in the space in a ‘feng shui’ way

Lead visitors to the ladder

Take them up to the bedroom

Dissected rabbit placed on the table

Which we ignore

Tell a story about an artist who has slept in the bedroom

Lead visitors down the ladder back into the gallery space

We all break fortune cookies and read our fortunes out

Lead visitors to the exit

Wave goodbye

So far you have been my favourite group

*Balloon archways/print of Chinese archways placed around all doorways

Wardrobe ideas

Red hat with scarf attached to the side

Hair tied back

Red & black make-up

Chinese dress

Slippers/Heels?

Holding a fan


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Planning ahead

Since finishing my MA in Fine Art at Liverpool John Moores University I am trying to plan ahead what projects and opportunities to apply for. I recently started a part-time job at Radleys at the Trafford centre for some regular money and to simply work in the ‘real’ world, which gives me balance in my life. I had really underestimated how working sporadically on arts education projects was stressing me out not being able to manage my finances from one month to the next, although now I feel I have a bit more control over the books. I enjoy the retail experience and find it fascinating watching and interacting with the customer and the product, which I see as a kind of dance/performance. I didn’t get selected for Hazard this year, which I was bit disappointed about although I was aware that the work I proposed didn’t exactly fit the theme of the event. I have just submitted an application for a three week residency at The Royal Standard in Liverpool which I am really excited about as it will offer the time, space and support to develop a project which I specifically want to realise in Liverpool. Fingers crossed for this one if you are interested in applying follow the link below:

http://www.the-royal-standard.com/events/

I had a meeting with Phil Davenport last week to discuss ideas for our two-week residency at The Chinese Arts Centre in November, 2010. Phil had also participated in the residency at the 501 Artspace in Chongqing and this opportunity is a chance for us both to develop some new work in response to our experience of working in China. We discussed two ideas the first was to have a loose theme called ‘Translation’ and we would individually make work and collaborate on a piece together. Our second idea was to collaborate on one piece a tour of the gallery that incorporates references to money and food, which were the two main influences on us from the trip. The gallery is an unusual space that houses a living and bedroom area, which is built into the gallery and is accessible by a ladder. There is a door in the opposing wall, which opens into an oddly shaped small storeroom. The gallery has another entrance from the street a door made of glass allowing a window into the gallery space.

Although my residency finished in February at the 501 Artspace I am still feeling the influence and inspiration the trip has had on my work, which I want to continue to document until it comes to a natural end.


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Departures

Airports represent the ultimate non-place, a space where temporarily nobody knows me and I know no one else. The airport architecturally and psychologically offers a release from the daily routine entering into a streamline of time and space, with the function of simply getting you from one place to the next. In my final piece I have combined using a live art presence with video and the context has been inspired by film footage I shot of a plane being prepared for take off at Hong Kong airport; which I see ­­­­­­­as a visual metaphor for my underlying anxiety of being an artist, portraying feelings of not making it, not taking off, and never reaching my destination. I have used the video as the framework for my performance and experimented with editing the material playing with the speed, duration and sequencing of the time line. I have explored actions that are influenced by the video which compliment and disrupt the image. It is my intention to disturb the unfolding of time and to involve the audience dissolving the fourth wall and bringing people directly into the work.

I have used the Cuban song ‘Guantanamera’ in my performance, which played when I was filming at Hong Kong airport although I was unaware of the songs origins although I assumed it maybe Mexican, Spanish or Cuban. The lyrics to the song have different interpretations. However, I am interested in how the words in the chorus are referred to as ‘guajira’ (the Cuban rhythm) a rhythmic structure rather than the words being a literal translation of something. Whilst researching the song I found many versions, even a cover performed by the 1960’s Liverpool band, Jerry & the Pacemakers. I have used ‘Guantanamera’ as it is a cheerful song which reminds me of summer holidays, it is also a trace material from my experience of going to China. In my final MA asessment piece I want to take the audience on a journey, yet leave them with a sense of never being taken anywhere.

Video documentation of performance:

www.youtube.com/watch?v=bj0yBcJOgLA

Departures performance script

Departure Lounge

People sitting in seats/standing

I come out of door

Place CD player on table

Press play

Start dance with back turned to the audience

Turn and dance singing Guantanamera into fake banana

Get on knees

Close eyes and wink

During music break put leis’s around people’s necks

Continue singing and dancing

Finish with back turned to audience

Stop CD

Turn direct people into the room with plastic bananas

Entering room

I lead people into room

Direct people to seats using bananas

Shut electronic blinds

Play video

I stand behind the audience

Video fades out

I leave the room

Video whites out playing Guantanamera


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