…seeking additional secure storage space in France…lots of bits and pieces; timber, pictures, books etc.
The simplest, easiest and obvious option is to exhibit it all in a pretentious gallery and therefore have free storage for a month or two…and with easily attainable public funding, I'd be paid for the privilege…
'Graham's response to landscape is contemplative. Creation becomes a challenge as every mark is considered as the aesthetic process unravels towards sublime resolution. Graham's preoccupations are undoubtedly formal, but his technique relies on more than simply a conscious arrangement of shape and colour. Graham aims to intuitively distil the essence of his visual experience in a much more unlimited way. Landscape provides the ideal motif; unrestricted by figures or buildings, an exploration is permitted which ultimately pervades pure creation.' Sally-Ann Schilling. MA History of Art, The Courtauld Institute of Art, Art Historian and former Lecturer Tate Modern, London
