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I recently wrote the following for a women’s e-zine, check it out:

The Culture of Shame/It’s time to stop making excuses for being human

As an artist and a keen observer of human behaviour, I have something I would like to share with the world about the culture of women’s clothes shopping.

I have worked for years as a sales assistant- you know, one of those on commission types that hangs around outside the changing room asking how you like it and offering an unsolicited opinion. More recently, I have also been working at an eating disorder charity. Sometimes I have a hard time reconciling myself to all the conflicting roles in my day-to-day life and so I feel a great need to share my observations.

Changing rooms are a focal point of self-perception for most women.

There are a whole set of unwritten rules that women generally follow when trying on clothes. These are cultural expectations, passed down through the generations until the patterns are firmly established. Roles are set, and are interchangeable amongst individuals. One person tries things on (the try-ee), and the other (the companion) hovers and comments. Even though I am now keenly aware of these behavioural patterns, I find it very difficult to stop following these same conventions when I shop myself.

Here is my list of observed rules thus far:

1. The one shouldn’t shop alone rule. Shopping is something to do with mothers and daughters, sisters and husbands, or best friends. It is a “fun” activity to do together.

2. The one shouldn’t appear vain when trying clothes on rule. In fact, drawing attention to all your flaws is essential in appearing humble to those with you. Example: “Look at my fat arms, this sleeveless jumper isn’t a good idea” or “I can’t wear dresses, I’ll look like a man in drag.”

3. The pretend not to like anything too much rule. Being uncertain is the watchword of all good shoppers. If you don’t commit, you’ll never look stupid, right?

4. The tell everyone else what they think of you rule. One needs to pre-empt the worst news by attempting to guess what one’s shopping companion thinks of you. Example: “Don’t you think I look like a great white rhino in these trousers?”

5. The “You’ll know it when you see it” rule. Somewhere out there, there is a garment that has the power to transform me into a beautiful person and hide all my flaws. It exists. I know it does. I just have no idea what it would look like.

The entire structure of shopping is set up in such a way that the try-ee is prevented from deciding things for themselves. There are always other people ready to jump in with their opinions, including myself as a sales assistant. Even if you don’t ask, it is given as a part of the routine experience.

Sometimes a shopper takes the plunge and decides to buy something on their own, without any companion present. Unfortunately, more often than not they get home and their husband/sister/daughter hates it, and it comes back to me the next day as a return. Every time they see themselves in the mirror wearing it from that point forward, all they can see is someone else’s negative perception.

You have to have a pretty strong sense of self-worth to come out of a shopping trip unscathed.

For the rest of the article please check the next post!


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I took these photos on a camping holiday in March 2009 and I haven’t looked at them since then. I want to share them here because I don’t see them belonging anywhere in the “art” world, and yet I feel somewhat attached to the imagery. I was very much inside my own head when I took these- my body was cold, my hands and back were stiff, and I was alone. I was hanging out in the bathroom because I wanted to stay warm. I’ve always been both attracted and repelled by my own image in mirrors. All of a sudden, the placement of the mirrors and the set up in the room caught my attention. I grabbed my camera and began recording the moment.

I’ve loosely labelled the series “Disjointed” because when I look at them I see my body in sections, as parts that I carry around with me and am not very comfortable in. I wanted to record the feeling of being inside my body in a way that would allow the viewer to feel what I was feeling in my own skin. I’m not sure this was successful.

I’m really a black and white traditional film kind of artist (for other examples of my work see www.dianearcher.co.uk), but lately I have been relying on a small digital camera that I keep on me at all times. I see colour film as a yellowed gritty reproduction of life- unlike the nostalgic affect of black and white. I have corrected the yellowness before with Photoshop but somehow I’ve never liked the change. It feels like I’m removing something essential that says- “hey, I’m a photo that was snapped in this moment and instead of leaving it be I am making it polished and perfect for show in a white-walled gallery.” But that’s just me being difficult.

In the struggle to get shows and develop an artistic career, it’s sometimes hard to figure out what the best way forward is. Hopefully this b-log will help Nadja on its path to the future.


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