So, I am currently without a space for the degree show, my plans have fallen through at the last minute and this morning I cried my way up the hill to university. However, once there, I had a really helpful conversation with the technical specialist and he managed to convince me that everything would be alright. He helped me with my Mac issues (why is there no PrtSc) and we talked about new ideas in terms displaying the work, ways around the lack of space and my situation in general.
Still from my It Takes More performance: http://t.co/ccKwsclT
Another still from my It Takes More performance: http://pic.twitter.com/OhoRzrLz
Still from my I Try performance: http://t.co/tLlDd5os
Another still from my Heaven Have Mercy performance: http://t.co/eUY1p3lj
It’s a beautiful day. My entire body is aching. I don’t feel well. I have the curtains closed. I can hear construction workers outside. I emailed my tutor two reviews, a commentary and this blog as part of a module entitled ‘Fine Art Evaluation’. I still feel as though I haven’t done enough work.
Commentary of Anya Liftig’s Performance ‘Produce/Procreate’ Evening of performance presented by both Roves and Roams and OVADA:
tiffanyhoran.blogspot.co.uk/2012/03/anya-liftig-commentary.html
I’m looking forward to next week and Shezad Dawood’s Piercing Brightness at Modern Art Oxford. I’ll be writing another review for Roves and Roams. I enjoy having something other than university work to think about.
I have two new videos to put onto DVD for the degree show and a number of things I need to consider in terms of space. Measuring lengths of red carpet being one of those things, deciding on an elaborate installation or a simple video screening and potential performance being another.
Now that the majority of tasks have been undertaken with regards to the organization of the degree show, we are continuing to look for sponsors and additional fund-raising methods.
Uploaded: Latest Work: Heaven Have Mercy (Unedited) Performance: www.youtube.com/watch?v=FMxOZj3h0kc
Filming again on Wednesday the twenty first of March, public performances and screenings are in the pipeline.
Hello nose ring, my old friend, I’ve come to wear you once again. I’m feeling nostalgic. Currently reading through the three books I took out of the library last week:
Art in public: What, why and how: Edited by Susan Jones, Art in the public interest: Edited with an introduction by Arlene Raven and Art, lies and videotape: Exposing performance: Edited by Adrian George.
I need to start writing again. It’s unfortunate that my ability to write hinders my ability to create.
Eye Examination: New Prescription: New Glasses:
specsavers.co.uk/glasses/womens-glasses/osiris-b26/#
My presentation went really well yesterday, I think my work has finally started to take shape. I discussed various ideas with my tutors in terms of where my degree show work is going to be installed on campus and I now have a number of interesting options.
The fingerpainting I created on Friday went down as well as my performance work did, an animation of the painting can be found here:
http://t.co/pgBB7h1Q
Our studio was featured on Sunday Politics South, you can see it here:
http://t.co/HuaD93my
I would skip to about 41.34 minutes if you’re not really interested in politics. My interview was cut short but it’s still a great achievement for everyone on the course.
I haven’t been posting as often as I had originally planned but I suppose I didn’t take into account the amount of work I’d be getting on with. I’ve decided to share some images with you via Twitter.
Dinner:
http://t.co/9zOyvWwG
Before I accidentally killed all but two of these seedlings by transplanting them too early:
http://t.co/Cei4JXTk
Endurance Task Prepartion:
http://t.co/5qt2XAnH
Still from my Heaven Have Mercy performance that took place on Tuesday morning:
http://t.co/JW5S82Rk
