The March of the Artists will see three artists; a theatre maker, Eve Robertson, a photographer, John-Paul Brown, and me, Lauren Sagar, a visual artist, walking the 250 miles from Manchester to London over 26 days, starting on 29th July […]
I got a place on the a-n/RD1st coaching course and a bursary to support it, thank you very much A-N…. This is where I take you on the journey with me and attempt to become an artist coach without trying to fix or break anyone….
A blog set up to track the course of an a-n Re:view bursary in 2013, revisited in 2018 to reflect on Manifesta 12 biennial.
A blog giving a behind the scenes look at Jamboree 2018, an artist-led gathering of 150 artists and curators
Go more write more do more www.rich-taylor.co.uk richttdraws.blogspot.com [email protected]
A blog about art practice and practicalities, from an artist with an interest in making her own paints from pigments chosen both for their aesthetic qualities and their role in the history of art and trade
A digital archive of my residency at Ritherdon & Co – a manufacturer in Darwen- to produce a commission for The National Festival of Making that took place in Blackburn on the 12th and 13th May 2018.
This blog documents a self-initiated, studio-based project of artist development as a response to a rejection to a mentoring scheme.
This blog will document the development of my practice and my PhD thesis Traces and What’s Left: Constructing a Communicative Form as an Art Practice as research in the Music Department at the University of Aberdeen.
I am delighted to have been chosen as one of the recipients of the AN Professional Development Bursaries 2018. This blog will act as a visual diary following the stages of exploring the relationship between image making and the 3d form within my sculptural practice.
During May I shall be traveling to New York as part of a Professional Development Bursary to attend: Open Engagement 2018, Queens Museum. Keynotes: Lucy Lippard and Mel Chin
Travel to Tangier and Tetouan
A month-long residency in Johnson Vermont with 50+ writers and visual artists
Although The Sporting League has faded into the depths of the subconscious, we still have The Super Cup, 2018.
A project focused on understand the mechanics of large scale public sculpture commissioning, the artist/fabricator dynamic and how the artist’s hand can be present in elements of sculpture fabricated by others.
Back in the winter I was invited to join The London Group and exhibit with them in the Waterloo Festival in June. I now need a link to its QCode label – so here is the short journey to ‘Tent’ which is my offering in ‘Nothing Endures but Change.’
This blog has been set up to document my creative journey and to give some background about my practice. More posts can be found on my blog: https://paulliptrotartist.com/pauls-art-blog/index.php 8 June 2018 – Helsinki bound – initial reflections on my trip […]
Little Forest Land Art was started in early 2017 by ceramicist Jan Griffiths and artist Adrian Mundy on land surrounding Jan’s studio in the Hampshire countryside. Turning the meadow and surrounding woodland into a place for artwork, focusing on Art in the Garden in early June.
On this blog Liz aims to share her new ideas, research and works as well as her concerns as a full time practicing artist.
Fine Art Degree. Am in my third year. The final push!!! Enjoyed the workshops on various disciplines but now returning largely to my first love of painting. Using increased awareness of contextual and critical studies to inform what I do. […]
Past A Level work, which I might develop and explore again in the future.
Curator Gayle Rogers reflects on the challenges of selecting work that may shock…
Advancing ideas around the simulacrum, and other questions concerning the copy, the original, and representation, through work produced in my artist’s residency in the printmaking room at the University of Suffolk.
My practice explores the potential for prosthetic’s which are made with aesthetic considerations in mind. My work began with the idea of bespoke prosthetic’s which are perceived, both by their wearer and observers, as aesthetically pleasing objects as well as being functional.
Shouldn’t Throw Stones – The view of a Night Watchman is an exhibition, tour and book publication documenting artist Kevin Casey’s role as a Night Watchman at the Ex Pilkington Glass HQ in St Helens.
Opinions and experiences, discussing and documenting practice in the visual arts.
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