http://elspethpenfold.blogspot.co.uk/2016/05/walking-with-waste-land-and-chelsea.html

 


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“Let’s Talk about Vivienne”

A walk , by the Walking with the Waste Land group at the Turner Contemporary.

Saturday March 11th.

A Photo Diary, creating new encounters.

A performance by Jill Rock

at
Turner Contemporary

Invoking Vivienne,
through the Sybil

From the Epigraph
The Waste Land
Identifying Eliot’s Ghost women

Keith Grossmith

at
Harbour Wall

reads :Sophie (after JMWT)
written by Keith Grossmith

We include a Turner woman of her time in our walk, referencing the Gallery.

‘Elspeth Penfold

at
Margate
Information Centre

Sonia Overall’s
The Art of Walking

contained, linear
( Walking – Method )

Judy Dermott

at

View point
‘Lido’

‘Lido becomes
Burnt Norton’

Emily Hale, but now Let’s Talk about Vivienne.

‘Elspeth Penfold

at
Walpole Bay Shelter.

Reads:

T.S. Eliot , famous clairvoyant.
Tim Dean

Eliot’s demeaning portrayals of his ghost women.

Judy Dermott

at
Walpole Bay Hotel
(wonderful tea and scones).

Reads:

‘Tom and Vivienne’s
letters from Margate.’

Julia Riddiough

at

Walpole Bay Hotel.

Reads:

‘The Vivienne Haigh-Wood Headlines’


Judy Dermott

at

Tom Thumb

looking towards
the old site of the
Albermore Hotel

Reads: ‘Poor wretched clever child.’

Richard Turney

in the gardens

reads:
‘Death of a Duchess’

An image of Vivienne. She sits at her dressing table, hairbrush motionless in her hand, bare arms fixed, waiting for a question from Tom…

And if I said ‘I love you’ should we breathe?

Keith Grossmith

reads his poem:

Near, bright stars.

Richard Turney

A Game of Chess

lines added to
and edited from
the Waste Land
at Vivienne’s behest.

Judy Dermott

at

The Old Kent Market

reads: ‘The Eliot’s go to the Cinema’.

and

A screening

of

Sally Waterman’s

‘In the Cage”.

Wrapping up!

With many thanks to Jennifer Deakin for photography and to the members of the Walking with the Waste Land group for their hard work and support.

For details of readings and performances:http://www.elspeth-billie-penfold.com/let-s-talk-about-vivienne-readings-flyers-and-some-images


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This walk includes a performance by Jill Rock, inspired by the Epigraph to the Wasteland, ‘Sybil”

A small intervention by Elspeth Penfold at the Nayland Rock Shelter.’Menstrual Discord’.

Referencing Cecilia Vicuña’s ‘Quipu Menstrual’

With words by Judy Dermott accompanied by music from Stravinsky’s Rite of Spring.

Poetry written and performed by Keith Grossmith

The Vivienne Haigh-Wood Eliot Headlines Read by Artist Julia Riddiough and Reported from The Walpole Bay Hotel Margate
http://peeperspuntersandpedants.tumblr.com/…/lets-talk-abou…

Following his successful walk for the Folkestone book Festival with ‘Margate is weird. We do not dislike it’ – T. S. Eliot in Margate, Richard Turney is walking in Vivienne’s footsteps from the Tom Thumb Theatre.

and we have a screening of Sally Waterman’s ‘In the Cage’, at The Old Kent Market,

and there is much more!

We are all looking forward to it and to celebrating the life of Vivienne Haigh-Wood Eliot with those who have tickets for the walk, now sold out.


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Thoughts that developed as a result of our field trip on February 9th.

Rhizomes

A walking field trip from Espacio Gallery on the Bethnal Green Rd. through Sculpture in the City at various locations ending at Leadenhall Market.

Participants: Veronika Marsh (Linguist, and artist)
Virginia Fitch. (Walking with The Waste Land)
Allan (Poet, writer , student of life)
Helen Peacock (Artist, currently exploring wires and tensions)
Jill Rock (Sculptor and performance artist)
Elspeth Penfold (Artist, weaver, exploring walking as research)

I have invited participants on these walks to take a leap of faith with me as we are never too sure how the walk will evolve or who will turn up on the day. When questioned about the route I say that there is a heartfelt aim that we will somehow arrive at our destination.

This is all very difficult to explain, hence the leap of faith.The following explanation might be helpful

Explaining Rhizomes

Perhaps one of the most important characteristics of the rhizome is that it always has multiple entryways. Likewise this walk has multiple entryways.

“quipu”

1. Threads an Exhibition at Espacio Gallery, including a piece of my own work “Quipu”.

Quipu was made during a residency at Sun Pier House in Chatham, last July from materials gathered during a walk organised with the Walking with The Waste Land group for The Writing Buildings symposium at The University of Kent.

It now seems clear that threads as a metaphor are looming large in this walk.

2. A second entry way is Palabra e Hilo, sited readings of a poem by Cecilia Vicuña, Thread and Word. Vicuña is a Chilean Poet and a walker who weaves words. Like TS Eliot, Vicuña’s writing is a stream of conscious thought with references to mythic ideas but hers are rooted in Andean culture rather than European.


The fragmentary introduction of poetry readings from different sources ties in well with another entry which is:
Cadenetas
3. International Women’s month, celebrating the work of Sarah Lucas and Lizi Sanchez.

Kevin and Florian – Sarah Lucas

Lizi Sanchez is a Peruvian artist, whose work Cadenetas, paper chains, offers a different entry point to an engagement with the walk.

The fragmentary introduction of poetry readings and interventions as we walk plays with Cadenetas as we go spotting and discovering the copper chains installed along the site of Sculpture in the City.


Sculpture in the City

4.The exhibition Program of Sculpture in theCity offers a further entry point. Artists and walkers have chosen to engage with sculptures along the route.

4.Walking with The Waste Land is another entry point.

This is a walking group which is a part of Journeys with The Waste Land, at the Turner Contemporary gallery in Margate.

The group have been using walking as research to explore the poem as a contribution to the wider Research group for an exhibition opening at The Turner contemporary in 2018.

Sited readings of The Waste Land by TS Eliot will take place along the route from Espacio to Leadenhall Market.

These readings engage with site and open ideas connected with Palabra e Hilo

5.If you enjoy walking as research you might like to join a walk I am organising in Margate, on March 11th, as a part of POW Thanet , Let’s Talk about Vivienne.

Vivienne Haigh-Wood Eliot has been seen variously as a femme

fatale who enticed Eliot into marriage or his muse without whom some of his most important work would never have been written.
for more about this: walk:http://www.powthanet.com/lets-talk-about-vivienne.html

So there we have it Rhizomes a useful tool to allow ourselves the freedom to engage creatively.

Ginger, botanical rhizome

These events are all threaded together by the people I have invited to participate in the walk from Espacio Gallery to Leadenhall Market. I am interested in people and what brings us together. I am delighted with the ideas and interventions that have already developed as a result of the field trips.

Using walking as a research tool to develop ideas and bring people together to collaborate creatively is proving to be incredibly rewarding. The metaphor of the Rhizome allows us not to close down opportunities for discovery, chance encounters and ideas.

Thinking about Rhizones, Ropes and the knots made by participants walking on Thursday

Our walk last Thursday was no exception.We were, in Ingold’s words, wayfaring rather than transporting.

The ropes I make and give to participants in the walks to document the experience by making knots play with this concept of wayfaring.

“Every place, then , is a knot in the meshwork , and the threads from which it is traced is a line of wayfaring”- Walking Threads, Threading Walk”; Weaving and Entangling Deleuze and Ingold with Threads

I am looking forward to our walk on March 5th!


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I am really looking forward to this walk on February 23rd. Please let me know if you’re interested in joining either in London or in Kent or both.

Terminalia Festival of Psychogeography

http://terminaliafestival.org

Exploring Boundaries and Monuments.

 

Terminalia Festival of Psychogeography

Exploring Boundaries and Monuments.
A walk from Vauxhall Bus station on Thursday February 23rd

I was researching the Mythic Method and the essence of Modernity, which as I understand it does not mean returning to the past but giving an understanding to the present, when I was contacted about the Terminalia Festival.

Through this walk and it’s connections with Terminus the Roman God who ruled over boundaries I hope to explore these ideas further.

“ Instead of narrative method, we may now use the mythic method. It is, I seriously believe, a step toward making the modern world possible for art.”
T.S. Eliot, from Ulysses, Order, and Myth (1923)

The mythic method is also connected to Eliot’s idea for allowing the audience to participate and workout the meaning of an artist’s work.


“On 23 May 2006, following the passing by Parliament of the ‘Serious Organised Crime and Police Act’ prohibiting unauthorised demonstrations within a one kilometre radius of Parliament Square, the majority of Haw’s protest was removed. Taken literally, the edge of this exclusion zone bisects Tate Britain.”

http://www.tate.org.uk/whats-on/tate-britain/exhibition/mark-wallinger-state-britain

The Terminialia Festival celebrates Terminus, the Roman God who ruled over boundaries and whose statue was merely a stone or post stuck in the ground. In recognition of Terminus and the ritual of celebrating the Roman New Year which traditionally began on March 1st, the walk will focus on exploring the memorials and statues along the trajectory.

We will observe how and what we choose to commemorate and celebrate through our public spaces. Each participant in the walk will receive a hand made rope which they can make knots in to record the experience of the walk.

We will be walking at 11.00 am from Vauxhall bus station to Waterloo station via Tate Britain, the site of Mark Wallinger’s, “State Britain”in 2007.

We will then follow an exploratory walk  to Trafalgar Square and on to St Paul’s , ending at Waterloo Station. This should take a couple of hours allowing for a tea or coffee break en route.

The ancient art of walking , the image above is of the Nazca Lines,in Peru. It made me think of  the sometimes inexplicable shapes of monuments and borders.

 

Seasalter, in Kent.

 

The photo above was taken on a walk, on the way to Mick’s Post.

Following on from this walk, on the 25th of February, there will be a second walk in Seasalter near Whitstable, in Kent.

On this walk we will walk to “ Mick’s post” where we will tie the ropes knotted on the London walk to Mick’s post in a symbolic ritual of the celebration of Terminus. Mick’s post is a white post in Seasalter which has been erected near the sea wall to indicate the boundary for the digging of bait in the Thames Estuary.

Images from these walks will be posted on Twitter @womenwhowalknet @elspethpenfold, using #Terminalia. To find out more about my walking as research please visit my website blog:
http://www.elspeth-billie-penfold.com

If you would like to attend either of these walks please contact me: [email protected]


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AN INTRODUCTION


I started the group Walking with the Waste Land assisted and encouraged by research curator Trish Scott to use walking as a research tool as a part of the wider Research Group A Journey with The Waste Land, at The Turner Contemporary in Margate. The Research group has been working together for over eighteen months to curate an exhibition about TS Eliot’s poem, The Waste Land.

During this time the walking group has undertaken a number of walks with community groups and the wider public using sites around Margate to read and explore aspects of the poem. We are now developing ideas for two walks, Thread and Word which will be taking place in Shoreditch on March 5th . and Let’s Talk about Vivienne, a walk which will be a part of POW Thanet on March 11th in Margate.

Please see previous blogs, for more about Let’s talk about Vivienne and, if you are interested, to check out previous walks.

 

A Discordant Walk, on January 19th 2017

What follows are some of the ideas that emerged from this walk.
1.The idea for a discordant walk came from my listening to All in a Chord on Radio 4 which pointed to the impact that going to see Rites of Spring by Stravinsky, had on TS Eliot.

 

The chord and its composition made me think about how experimentation and pushing boundaries led to a wonderful piece of music which then influenced the writing of a poem about writing poetry. It is well worth listening to and I have added a link here:

http://www.bbc.co.uk/programmes/b088973x
The discordant chord made me also think of the Eliot’s marriage and it reminded me of the structure of the poem itself.

Furthermore the power of the music as a physical experience seemed to me to link with the research process we are using which involves the physical activity of walking as a way to research the poem.

2. Music and Chords also came to mind a few days later when I was researching the links between walking and weaving and found a link to “Walking Threads, Threading Walk”:

Weaving and Entangling Deleuze and Ingold with Threads
JAN PETER LAURENS LOOVERS
I started to use knots and ropes to document the walks after recalling reading about Tribes in Papua New Guinea who used ropes and knots to document their walks in Tim Ingold’s book Threads.

Ropes made for participants in a Margate walk.
I love the image below. I found it as a result of my reading and it reminded me of the relationships between what appear to be things that have no relationship, in this case knots and strings and musical annotation which goes full circle back to the inspiration for a discordant walk.

Silvano Bussoti, annotated musical score.
I also found a reference to Tim Ingold’s description of writer as weaver (text, textere). As a weaver myself who now seems to be spending a great deal of time walking and writing it reminded me again of the meanings that are found in textiles and made me think about the straps I have been weaving.

I had a conversation with an artist on a walk last Saturday about the fact that I was making the straps without knowing why I was doing this. Maybe I do know really.

Straps

 

 

 

 

 

 


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