Drawn to this Place - a-n The Artists Information Company
a-n
  • News
  • Research
  • Reviews
  • Paying Artists
  • Blogs
  • Network
  • a-n 40
  • About
    • About a-n
    • Contact us
    • Advertise
    • Insurance
    • Legal and tax helpline
    • Membership
    • User support
    • Policies
  • Join
  • Login
Explore

View as

Cookie Information: We use cookies on this site both for essential site functionality, and to better understand our audience. Please read our Privacy Policy for more information.
  • Events
    • All
    • 40th Anniversary Features
    • About
    • AIR
    • Blogs
    • Campaigns
    • Collections
    • Conversations
    • DSG Features
    • Events
    • Jobs
    • Media
    • News
    • Research
    • Resources
    • Reviews
  • Exhibition
    • All
    • Conference
    • degree-show
    • Exhibition
    • Festival
    • Networking
    • Performance
    • Talk
  • Drawn to this Place
Inner Sea 1
15 September 08

Drawn to this Place

  • Mount Edgcumbe Gallery
Venue
Mount Edgcumbe Gallery
Starts
Saturday, October 18, 2008
Ends
Sunday, November 2, 2008
Address
Mount Edgcumbe Gallery, Cremyll, Torpoint, Cornwall, PL10 1HZ
Location
South West England

Drawn to the Valley Artists of the Tamar Valley are holding the very first exhibition in this restored Estate buiding; a diverse mix of art from the Tamar River area, including work in varied media.

Teresa Wicksteed

0 0
Teresa Wicksteed

A Fine Art graduate of Falmouth University, I situate the conceptual root of my work in a “Near-Death Experience” I suffered during a life threatening haemorrhage at the birth of my first child. This was a catastrophic “pause”, a transformational hiatus in my life. However, the altered state of epiphanic light I felt while on life support has remained with me and informs my art-work. I make the work in a repeated attempt to re-envision that transcendent experience and create light in each painting. While creating my art, I am in a constant dialogue with each painting, and the paintings form in a dialogue with each other. The long temporal pauses between layers of oil glaze add to the depth of meaning: slow Time and the Uncertainty of each layer are built into the finished palimpsest. The fluidity of oil dictates my finished form; I use gestural movement and impasto in which the hidden depths of paint remain as vital as the surface.

  • About us
    • About a-n
    • The team
    • a-n Board
    • a-n Artists Council
    • Contact us
  • About membership
    • Join a-n
    • About insurance
    • Legal and tax helpline
  • Using the site
    • Terms of use
    • Privacy policy
    • Accessibility statement
    • User support
  • Connect with us
    • Facebook
    • Instagram
    • LinkedIn
    • Twitter
    • Youtube
  • Arts council
© a-n The Artists Information Company