Page 1130 – a-n The Artists Information Company

Blog Post

Untitled blog post from "STUDIO 75"

IS THE ART WORLD BIASED? Part I of II It all gets worse.A very good friend of mine applied for an East London painting prize and didn’t get shortlisted. Actually, he didn’t give a toss, but I got pretty upset. […]

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Blog Post

Untitled blog post from "STUDIO 75"

IS THE ART WORLD BIASED? Part II of II Why is the “art world” of prizewinners, press darlings and highly visible British artists so unrepresentative of the ethnic make-up of the country, given that we have a lot of diversity […]

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Blog Post

Week 76: 24th February – 2nd March

The relationship between vitrines and institutional critique has inspired my latest collaborative project, ‘The Imaginary Museum’, a direct reference to the Andre Malraux publication ‘Museum without Walls’ (discussed in week 60). Under the auspices of the Artist Book Collective, I […]

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Blog Post

Untitled blog post from "Whet Paint"

Making this blog is almost like the theoretical equivalent of laying out work for a catalogue or exhibition. In terms of allowing me to gather, assess and take stock of where my work is. Stepping back helps me to see […]

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Blog Post

Untitled blog post from "University Campus Suffolk"

It’s (to me) a surprising amount of days since my last blog post. I’ve been very, very busy with art in the real world and have been ‘saving it all up’ ready to post about it. I’ve photo-documented my journey […]

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Blog Post

Untitled blog post from "University campus suffolk"

Mike Nelson Michael “Mike” Nelson (born 20 August 1967) is a contemporary British installation artist. He represented Britain at the Venice Biennale in 2011. Nelson has twice been nominated for the Turner Prize in 2001 and 2007. Nelson’s installations always […]

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Blog Post

Untitled blog post from "University Campus Suffolk"

‘Conversation with a Trapped Bee.’ The title is a result of an earlier post -there are hidden meanings and dualities in it which I feel support the painting. Conversation not monologue because paint is a two way thing – either […]

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