Rosalind Barker In our final collaboration session Ruth and I worked side by side to create a pinhole parchment based on figurative images again taken from the Sunday Times magazines. It was difficult, slow work and I think Ruth would […]
What I have done in the Week commencing 17th March 2014 New quotes added to my wall. “You r the Art” I feel that the viewers are an important role in making a piece of Art successful. If there were […]
Black & White/ Monochrome. Colour is a very communicative devise in painting. Often a mood can be easily established in a painting through association of colour and emotion. Very much the same way that large scale can easily communicate an […]
reflection 6: some time later ….. this week provided an opportunity to review the steps made at Fabrica and a chance to play around with multiple projections in the studio. There is always a gap between the making of bits […]
How can painting a horizontal line created by the sky and sea be SO difficult!! I have spent the best part of today working and reworking two paintings on canvas, with the intention of creating works that evoke a sense […]
Well here I am in Berlin, in fact I have been here one week already. When I arrived last Tuesday it was really sunny and spring, but the weather disintegrated over the weekend and it is cold and wet now. […]
I made these small works last week. They are acrylic and pen on canvas scraps pasted onto a cardboard backing. Their subject is painting, concrete and the natural world. We continue to build up and concrete over the environement – […]
my most recent work has consisted of a square format as has most of my work in this course. my most recent works however are a square peice of patterned mostly dated patterened paper, with old family images on. some […]
i have been looking at Christian Boltanski, his themes like memory, life and death and the instability of existense is something that greatly interests me and inspires me with my work, and are themes thati have always worked with. Gymnasium […]
This painting was made today – it is inspired by one of the photographs that I took during a visit to Orford Ness earlier in the year when I walked round the place. I wanted to capture the sense of […]
Tried to bite the bullet today and make a start on framing my canvases. Woodwork is not really my thing and never has been so I was a bit apprehensive to do the first saw cut. I have the wood […]
I’ve starting looking into why I keep going back to the photos where I am in the bath. So ive come up with a few key points… -Throughout horror film history, women are commonly used as a target of victimisation. […]
Documenting the research and production process for ACE funded project Cicatrix – the scar of a healed wound www.cicatrix.co.uk Follow us on Twitter https://twitter.com/cicatrixart and on Facebook https://www.facebook.com/pages/Cicatrix/6444299956…
Provides a historical context within the Paying Artists campaign of the Payment to Artists for Exhibition of Work scheme implemented by the Arts Council of Great Britain in 1979.
The shortlist has been announced for the annual prize promoting the work of recent graduates from UK art schools.
Edinburgh-based artist Catharine Davison has been awarded the £15,000 Lynn Painter-Stainers Prize for representational painting.
Provides a historical context of the Payment to Artists for Exhibition of Work scheme implemented by the (then) Arts Council of Great Britain in 1979.
Leyden Gallery, London
5 February – 8 March 2014
The Sunday Painter, London
2 – 30 March 2014
Fine art ba (hons)
MAKING A CASE Newcastle: being in the right place. rural locations. affecting/effecting change. engaging in research. policy development. rural development. evidence what I am doing. the impact of my work. make a case for artists working in the rural social […]
