The last two days I have had time to get some more drawings started in the studio, although maybe not as much time as I would have liked due to being really tired. It is amazing how taking in all […]
Rewind… 2nd Meeting with Iris. Our next meeting was primarily talking. And I needed it! I found that everything we discussed led to further questions. How can you tell that something is dance? Does a dance need to have music? […]
Good week this week! ……although goldblade still havent got back to confirm their performance on the float, i receved confirmation from Awards for All that we (that is the sophie lancaster foundation and i) will get the funds we need […]
Shattered only just begins to approach my current physical state – pulverised seems far more adequate for tonight. After a late night/early morning spent squatting on the living room floor, screwing frames together into a strange jigsaw arrangement, I was […]
the simultaneous amalgamation of opposites to equal one and three.
Snape Maltings, Snape Aldeburgh
9 – 24 June 2012
'Dazed and Refused 2012 Exhibition Artists'. Photo: c. Nicola Tree.
Teresa Wells, '17th April 2012', Mixed media and found object with ceramic, 17th April 2012. Photo: Teresa Wells. Inspired by a moral upbringing, I possess an ethical consciousness along with a fascination for the question, ?How do Humans Behave??
Through the medium of sculpture and drawing I explore the tenuous relationship between man, his society, religion, law, and kinship. Isolation and miscommunication resulting in disconcerted connections are most attractive. There is a need for me to express this in ways that become both, voyeuristic and participatory.
Domestic tableaux echo nostalgia for congruity. Specific body language and positioning combined with an absence of facial expression and skin tone raise questions about scenario and relationship.
The ordinary becomes the extraordinary when scale is reassessed. A straightforward scene of exasperation becomes freeze framed from a sequence of
Teresa Wells, 'Lamb of God', mixed media wood and muslin, June 2010. Photo: Richard Tailby. Inspired by a moral upbringing, I possess an ethical consciousness along with a fascination for the question, ?How do Humans Behave??
Through the medium of sculpture and drawing I explore the tenuous relationship between man, his society, religion, law, and kinship. Isolation and miscommunication resulting in disconcerted connections are most attractive. There is a need for me to express this in ways that become both, voyeuristic and participatory.
Domestic tableaux echo nostalgia for congruity. Specific body language and positioning combined with an absence of facial expression and skin tone raise questions about scenario and relationship.
The ordinary becomes the extraordinary when scale is reassessed. A straightforward scene of exasperation becomes freeze framed from a sequence of events, allowing the
Julian Stair. Photo: Jan Baldwin.
Martin Winfield, 'RM52#50 Highleadon, Glos'.
Janet Clarke, 'Geological Cross-Section', wet felted C1 and Merino, May 2012. Photo: Janet Clarke.
