These images of Octagonal Landscapes are actually film stills. The idea with these was to create a fully virtual space, one that was computer generated, but endless. Each film runs in an infinite loop, and is meant to be projected […]
Pyramidal shapes offered another interesting insight into the notion of vitual space – if viewd from the inside the structures look irresistibly like perspective drawing, with the point being the horizon. This suggested to me a space that could reside […]
With my most recent drawing I finally hit on a method that was really challenging; my previous attempts at almost narrative perspective drawing were failures. By keeping the drawings more concise I feel they really succeeded. The idea was again […]
Octonion was a culmination of all the work I had done with pyramidal structures and octagons. It consists of a large scale pyramid, into which an infinite loop animation of octagons is projected, which seem to be sucked constantly to […]
In the absence of a photographic documentation of perspex tubes to drill (120 by next week – still not arrived). Here is a picture of my cute kittens.
The piece Abomination is my first real piece since graduating. It echoes the same concerns with space, but I think that it is much more considered in some ways, more instinctual in others. It’s great to have the kind of […]
Have begun researching ideas around the Ty Unnos. This is a Welsh tradition whereby if a person could build a home on common ground between the hours of sunset and sunrise and have smoke rising from the chimney by sunrise, […]
It has been five days since I last posted. After my previous run of posts; I almost feel naughty. So here it is… A progress update. I’m feeling very positive about my work and creative flow at the moment – […]
Edited by David Mollin and John Reardon. Ridinghouse Publishers., London
1 January 2009
The Morvah Schoolhouse, St Just
2 – 15 October 2010
Liverpool Biennial-various venues, Liverpool
18 September 2010 to 28 November 2010
Russell Mills, 'For Want of Wonder (Thought Engine), 2005-2009'.
David Morris, 'Guillotine (detail), 2010'.
Martyn Cross, 'Come Friendly Bombs', Mixed media.
Bridget Jackson, 'Defining the Day (Morning)', Paper, 2010.
Anita Grosz, 'Fragile Transitions', Mixed media installation, September 2010. Photo: J Curley Cannon.
Peggy Cozzi, 'Finn', Charcoal with Acrylic wash.
I am not posting anywhere near as often as I should be. Last week was a good week- I attended the Jerwood drawing prize private view and prize giving, it was a tremendous turn out, and though not awarded anything […]