Editorial – 2010 March
Through its ongoing research and dialogue with artists, a-n aims to identify themes that consistently appear in each and every artist’s requirements, no matter how diverse their practice.
Through its ongoing research and dialogue with artists, a-n aims to identify themes that consistently appear in each and every artist’s requirements, no matter how diverse their practice.
Well done Renos Lavthis for your letter in support of John Nutt’s December letter with regard to the debate on art today.
Linda Ball is project leader of Creative Graduates Creative Futures the largest research study to date about the career paths of art and design graduates. She talks to Jane Watt about the research, her own experience of a portfolio career and the importance of having creativity at the core of professional practice.
When I look at many of the images and articles that frequently appear on various sites over the web and in contemporary art magazines including a-n, I can feel my whole artistic beingand personality sinking into some sort of hopeless psychological swamp or pit.
Following on from recent discussion in a-n Magazine surrounding the state of Higher Education, in this month’s Debate lecturer Chris Milton asks whether the future of Foundation courses is threatened.
Modern Art Oxford, Oxford, 12 December – 7 March
ArtSway, Hampshire, 21 November – 24 January
Aspex, Portsmouth, 14 November – 24 January
The Collective Gallery, Edinburgh, 5 December – 31 January
Rokeby, London, 13 January – 19 February
Jack Hutchinson reports back from The State of the Arts – The Conference for the Arts, hosted by the Royal Society for the Encouragement of the Arts, Manufacturers and Commerce (RSA).
With entry to John Moores closed by the time you read this, you’re either registered and in with a chance for the
It’s encouraging to see a number of AIR members amongst the 152 people appointed by Arts Council England to write assessments on the artistic work of its regularly funded organisations.
Arts Council England has embarked on an extensive exercise to consult stakeholders including artists on their policies and priorities for the future.
More than a third of UK marketing, PR and publishing professionals admit to using images illegally from the Internet.
Suki Chan’s first exhibition as a curator takes place at Jerwood Space, London, 3 March – 1 April.
News from a-n’s archive.
This month’s Bites.
Safle, the strategic development body for art in the public realm in Wales, has announced that the recipient of the Safle Graduate Award 2010 is Lauren Elena Sarreas-Webb.
Graham Crowley is one of the most distinguished living painters in the UK today. As the deadline closes on entry to the John Moores 2010 competition, Kate Brundrett asked him for his views on the competition’s significance and for his ‘take’ on the state of contemporary art practice.