Corinne Lewis The triptych series Transmutations is the culmination of an enquiry into the complex subject of Man’s relationship with Nature. With the application of the symbolic use of the natural and the manmade, I examine the very fabric of […]
Juliet Chenery-Robson It is estimated that there are at least 250,000 people in the UK suffering with the chronic, disabling illness Myalgic Encephalopathy or ME as it has become known. All types of people at all ages are affected with […]
Oh how a week can change things. So I began the week by contacting Harewood House, as they asked me to do, to discuss my thoughts about what I might do for the exhibition next year. This was followed the […]
I was really keen to start a blog here at AN as I think its a really interesting new resource, but i must confess, as it is probably perfectly apparent, The development of the Re:::lay performances over this month and […]
BUILDING The week at CRATE will give time to build on earlier work in the project. I will bring my birds and see how they fly in this new space. Just over 2 weeks to go. We have found a […]
Well, the big news of the week is….. I won the competition in college, which came as a great surprise. A few of the entries were really good so I was genuinely shocked that I won but hey, woohoo to […]
Launched in 2004 and run until March 2011, the NAN – Networking Artists’ Networks – initiative generated evidence and advocacy in support of artist-led professional and critical development.
Nick Turvey, 'SpinState', Acrylic & Stainless Steel, 2008. The origins of quanta, the irreducible units of energy invoked by particle physicists, can be traced back to the writings of Democritus. But are there corresponding elemental units of form? If so, it seems unlikely that they can be adequately described in three dimensions, given current string theory. In an analytical breakdown of movement, this piece proposes a way in which those implicate dimensions might be visualised.
Linzi Light, '"Deluge" "Desert Spring" "Nightingale"', Oil on Canvas, 1996. Photo: Hew Bright. Courtesy: SPACE Bridport.
Annabel Dover, 'Everything you can think of is true'.
Outpost, Norwich
1 – 21 November 2008
Instead of making my usual pilgrimage to London I decided to head north this weekend to see a show by Lucy Harrison at Norwich Outpost. So for a third of the fare for the same distance I washed up in […]
I am in touch with someone from The Forum, which describes itself as "an innovative weblog featuring reviews, previews, opinion pieces and interviews from independent arts writers." She has sent me four questions which have actually been very timely in […]
For introduction to this post see previous post: So there are these two parallel areas of activity for this residency: considering Hirschhorn’s Incommensurable Banner and reconsidering my own engagement with protest through, or via, visual imagery on a banner.Between April […]
For an introduction to this post see post no. 64 Another day, which was one of my timetabled gallery sessions, I noticed that I had not gone anywhere near the work or even so much as looked at it and […]
For an introduction to this post see introduction to entry 64. For a while I felt myself identifying very strongly with my femaleness in relation to the work. I got interested in thinking again about the work of the Austrian […]