I will develop making my work accessible to children using an extract from my performance Unknown Statue integrating Makaton language to communicate signs & symbols within the work. Supported by a-n bursary 2019 programme supporting self-determined professional development.
My lens-based artist practice had led me to discover a new way of merging video with reality. I wanted to find out what I could do with this this new invention and learn the digital skills I needed to make work with it.
This blog reflects the posts I write for Disability Arts Online where I write about my experiences as an Emergence Bursary Recipient.
Accessibility at last
What a time to be alive, my friends! Shinichi Sawada Untitled (72), 2018. Photo by Ellie Walmsley, from JenniferLaurenGallery.com The internet was not around when I was just a grubby urchin clambering through the rock pools of Hunstanton, […]
Why aren’t there female leaders who identify as neuro-divergent in the arts and academia? Who are the gatekeepers? What needs to change?
An artist friend of mine spent Christmas in Bangkok. They wrote to me saying: “I could not get over the tension and apocalyptic nature of the street experience I have been sensing in Asia. I started to break down the […]
Gran Fury Read My Lips – In context now Auto Italia 2nd of October – 2nd December 2018 Wow finally a show marking the historical and political context of the AIDS crisis in the 80’s and 90’s. For the first […]
I arrived during the preview week of the Venice Biennale as a recipient of an A-N Artist Bursary 2019. Curated by Ralph Rugoff, and named May You Live in Interesting Times, I wondered if the 58th International Art Exhibition could possibly […]
We are amidst a global mental health crisis. To bring about policy and culture change, we must think outside the pillbox. Through an ACE-funded Unlimited commission #MagicCarpet, we argue for ‘lofty arts’ in effecting cultural change in mental health.
exploring psychogeographical themes in a playful, accessible way with children in a community setting. Also published at www.playradical.com
My latest project aiming to make creativity more accessible to everyone
The IAA component of the a-n card enabled me to freely access the permanent collection of The National Museum of Modern Art (MOMAT), Tokyo, Japan. MOMAT features artworks from the beginning of the 20th century, including both the Japanese (Nihonga) […]
Part two of a series of blog posts documenting my research visit to the Finish Bioarts Society, and my investigation of the advantages of interdisciplinary arts practice.
Part one of a series of blog posts documenting my research visit to the Finish Bioarts Society.
A short city based residency with 12 European artists
The Fourth International Teaching Artist Conference (ITAC4) was held in New York City, thanks to an artist bursary from a-n I was able to attend.
AN Professional Development Bursary 2018
Translating artspeak to make the arts more accessible
Once upon a time, artists who wanted to pursue a full-time art career had limited options. Self-taught artists and recent art graduates could get a job, a very small percentage could be signed by a gallery right away, or they could […]
Documentation of exhibition – Inland Project at APT Gallery for DeptfordX 2018. Collaborative project by Flora Bradwell, Sylwia Narbutt and Scott Lawrence Macfadyen.
How and why I do what I do in paint and in drawing.
Solo exhibition of sculpture, installation, and photography at Broadgate London
An A-N artist bursary is funding me to undertake some specialist film training, including drone camera and gimbel.
@feralpractice
Bluecoat Arts Centre in Liverpool launches a new free online archive charting its history
Opinions and experiences, discussing and documenting practice in the visual arts.
Join to start a blog and comment, part of a package of member benefits.
