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Zarah Hussain discusses the impact on her practice of technological change and social media, and reflects on events of 2020.

Tai Shani discusses the need for change around artists’ pay and the “ethical gap between artists and institutions.”

Amy Gear and Daniel Clark, founders of Gaada in Shetland, describe how they are “creating an art world on an island.”

Collaborative duo Forest + Found discuss their role as artists in “thinking and engaging with our natural resources and the environment.”

Larry Achiampong reflects on the role of art as “a place to conversate, to agree, to disagree, to hope, to dream, to imagine, to debate.”

Harold Offeh outlines how his success as an artist “has been built on the hard efforts, work and activism of previous generations.”

Artist collective Rat Trap outline their hopes for the future of the arts in Wales and consider “how to keep striving for utopian visions”.

Gary Hume reflects on his successes during the 1990s and on being “prepared to risk my career for being an artist.”

Our 40th Anniversary programme includes a new series of Artists Newsletter publications and interviews with leading artists.

2020 graduate Jody Mulvey discusses founding SADGRADS and her hopes for the future.

2020 graduate Miya Browne considers the role of art and the artist in the 21st century and outlines their vision for the future.

Magdalene Odundo remembers a-n’s role in “helping to dispel the distinction made between art and craft in the use of clay” during the 1980s.

Keith Piper, a founding member of the Blk Art Group and now a member of a-n’s Board, outlines the evolution of his practice during the 1980s.

In the first of a new series of publications celebrating the a-n archive, Black Hole Club unearth the past, probe the present, and look to the future.

Anne Bean recalls co-founding Bow Gamelan Ensemble and “resonant living and working situations” in 1980s Mexico and Poland.