Access All Areas – Live Arts and Disability
Published by Live Arts Development Agency, London
5 March 2011 – 30 October 2013
Published by Live Arts Development Agency, London
5 March 2011 – 30 October 2013
Mander Centre, Mander House, Wolverhampton
22 February – 12 March 2010
Initial Access – Passage to India, Four Ashes, Wolverhampton
15 March – 12 July 2008
Nicholas Ferguson’s unusual career trajectory
I visited the Sainsbury Centre to experience the innovations that gallery director Jago Cooper has introduced, designed to improve – or even revolutionise – the way visitors experience an art collection.
This exhibition arranged by the Koestler explores the theme of food from the perspective of women in prison or secure services. The Koestler is an organisation set up by Arthur Koestler, a prominent journalist and later novelist, in 1962, which […]
Virtual permanent exhibition set in the virtual Cold War bunker. Accessible from any computer, tablet and smartphone, also in VR mode.
Review of Thomas Hirschorn at Maxxi, Rome, November 2021
Review of exhibition of painting at Hayward gallery October 2021
Review of Allison Katz exhibition in response to Brian Dillon’s review in The Art Newspaper, No.342, February 2022
On until 19 Feb 2022. Images by Chelsea Van Zyl.
An Essay on Katie Tomlinson’s Exhibition ‘Fight the Moon’ – exhibition continues to 18th December 2021
A group show inspired by the museum’s seaweed collection, illuminating one of the hidden roles of women in scientific research.
A conversation about the exhibition with Nicole Mollett and the artists Sew N Sew, Mary Hearne and Jakub Rokita.
‘‘Genea!’, says Marauder’ a show by Richard Taylor that included video, sound, 35mm slide projection, sculpture, photography and performance.
Will Hughes solo show, work made on residency at Spike Island, Bristol, and funded by prize money from the Kenneth Armitage Sculpture Prize, which they won in 2018.
The perfect blend between materials and concept
A critical review of Stryx Gallery’s SOUP Pt V: BLENDER residency
written by Emily Scarrott
A critical review of Stryx Gallery’s SOUP Pt V: BLENDER residency
Alex Hetherington’s review of Ally Wallace’s Giacomo residency and exhibition.
Leon Robinson (University of Glasgow) writing on artist Ally Wallace’s work and the subject of his Glasgow International 2010 project, Modblocks.
A short reaction to Christian Marclay’s ‘The Clock’ on show at Tate Modern, London, 14 September 2018 – 20 January 2019.
Weeds in the cracks Manifesta12, Palermo, 2018 The planetary Garden is a concept planted in the world by the French philosopher and gardener Gilles Clement. It is this idea that took root with me during my visit to Maifesta12 in […]
Performative walk exploring the power of smell.
Review of GSA 2018 MFA Degree Show, first published in Art Review Glasgow, Issue 3