More access to art colleges
AA2A has secured a further two years’ funding from Arts Council England through the Grants for the Arts lottery fund.
AA2A has secured a further two years’ funding from Arts Council England through the Grants for the Arts lottery fund.
If youre a small-scale voluntary organisation with an income of under £10,000 a year, you entitled to get free information from the National Council for Voluntary Organisations (NCVO).
Weve already had fourteen establishments sign up to our new subscriber package, offered in conjunction with JISC (The Joint Information Systems Committee) within a couple of weeks of its launch and have many more currently taking part in a free […]
Angharad Pearce Jones reports on the relationship between Welsh artists and musicians, and the creation of Capsule, a new visual arts venture that celebrates this creative crossover.
I graduated from Liverpool Hope University College with a degree in Design and I am now a self-employed designer/silversmith, specialising in silver tableware. Currently I job share as jewellery instructor at Henshaws Arts and Crafts Centre in Knaresborough, North Yorkshire. […]
In the first of our new series of magazine style publications celebrating the a-n archive, Birmingham-based Black Hole Club unearth the past, probe the present, and look to the future.
Consultant and curator Mark Doyle offers advice on how to generate sales and develop a market for your work, through building relationships with clients and collectors.
Artists, collectors, gallery directors, curators and dealers offer tips and guidance on selling your work and maintaining relationships with clients and collectors.
In recent years many artists have moved from major conurbations to smaller towns or cities in the UK, with access to cheaper work space and accommodation, improved health and wellbeing, and the need for stronger community networks among the factors influencing their decision to relocate. In this guide, Dan Thompson explores the many and varied reasons why artists move to a new place.
Kevin Hunt compiles a list of both online and in print reading material about the artist-led sector, as a supplement to his essay People like us and the new Artist-Led Hot 100 (version ii).
Hannah Pierce, who has held curatorial and programming roles with organisations including The National Trust and Jerwood Visual Arts, offers advice and explores the key issues to consider when applying for a residency with non-arts organisations.
Hen Norton explores the use of fundraising platforms online and offers her top ten tips to help you build a sustainable creative business or project, and reach a wider and more engaged network of supporters through crowdfunding.
Art Licks is a London-based platform that supports artist-led activity and grassroots visual culture in the capital. This profile includes a video recorded at a-n’s Assembly Thamesmead event in October 2019, in which Director Holly Willats introduces the organisation she founded in 2010.
Negotiation is one of the four core principles of a-n/AIR’s Exhibition Payment Guide. This quick guide offers 10 tips for better negotiation.
A best practice reference guide to use when creating an agreement for a solo or group exhibition with a gallery or organisation presenting visual arts. You can also use the a-n Contracts Toolkit to build a contract to the specific exhibition context, and this checklist will support you with this.
Jo Hodges and Robbie Coleman’s collaborative and multi-disciplinary practice questions our relationships with environment and landscape. Sally Davies talks to the Dumfries and Galloway-based artists about working in, and interpreting, rural contexts.
Peak is an arts organisation based in the Black Mountains in Wales that works with artists and communities to respond to the rural environment. Peak’s Creative Director Rebecca Spooner speaks to Rosemary Shirley about the organisation’s contemporary arts remit for making and showing art in rural places.
Artist Morag Colquhoun, whose practice includes sculpture, photography, installation, performance, video, textiles and curatorial practice, discusses the benefits and pitfalls of working in a rural context.
Proactively seeking out opportunities to realise exhibitions and projects is an important strategy in the arts. Adam Smythe, Curator at the Bluecoat in Liverpool, gives some advice on the best methods of approaching galleries with exhibition proposals for your own work or for curatorial projects.
a-n Blogs is a great place to share the process of your practice or the progress of a residency or project you’re working on. We’ve pulled together a few tips on blogging on www.a-n.co.uk to help you get started.
London-based artist Liz Atkin creates work both in response to and as way of coping with compulsive skin picking. Alistair Gentry finds out more about her art practice, and the advocacy and education work she undertakes to help others understand and deal with this and other body-focused repetitive behaviour conditions.
Since the early 1970s, Bobby Baker has been producing art that documents and subverts her experiences of everyday life, drawing on motherhood, domestic labour, and mental illness and recovery. Speaking to Lydia Ashman, Baker reflects on the challenges she faced as a woman and an artist, her successes and why she’s ‘proudest of keeping going’.
The Bethlem Gallery in Bromley provides a professional platform for artists who have experienced mental health difficulties. Alistair Gentry speaks to the gallery’s director Beth Elliot about the organisation and how it fosters a supportive artist-focussed environment.
Hospital Rooms is an arts and mental health charity that believes in the enduring power of the arts to instill value, dignity and wellbeing in people. Alistair Gentry speaks to Curator Niamh White about how the project enables access to art and culture for people using secure and locked mental health services.
Alistair Gentry offers guidance on what support is available for artists and others with mental health problems.