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Pictures of… Drawing Room’s Drawing Biennial 2019

The biennial exhibition features more than 200 new and recent works on paper by international artists, with all works set to go on sale from 11 March in an online auction to raise funds for Drawing Room’s exhibition, learning and publishing programme.

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Blog Artist

Creative Practice as a means of Problem Solving

I was recently asked to give a talk about starting out an art practice in Dumfries and Galloway, to a group of young artists – blueprint100 at the Stove. I’ve learned to avoid these experiences as I am usually far […]

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News News story

Olafur Eliasson to install 45-metre tunnel of fog at Tate Modern

More News In Brief: The Watercolour World aims to capture how the world looked before photography; Glasgow School of Art issues new response to fire safety criticism; James Turrell’s skyspace work temporarily closed due to encroaching scaffolding; New York galleries face lawsuits over the accessibility of their websites; plus Ai Weiwei criticises US for ‘complicity’ in China’s arrest of two Canadian citizens.

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Resource Profile

Residencies: Wysing Arts Centre

In 2017, Wysing Arts Centre restructured its residency programme to be more responsive to artists’ situations and to support a more diverse pool of practices. Drawing on a conversation that took place between Wysing’s director Donna Lynas and resident artist Tessa Norton at the ‘Pivotal Moments’ conference, Lydia Ashman explores how and why the programme has changed.

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Blog Post

Dinner Party

Since I’ve recently invented a time-machine and I’ve done the usual time-touristy things (learnt how they built the pyramids, listened to Plato at The Lyceum and partied on V-Day), I think I might plan another tea party. The one last […]

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Blog Post

Artwork as product

The uncertain relationship between the fine and applied arts is considered in the original model of the department store. Unique artworks and commissions displayed alongside mass produced commercial and domestic goods, and an importance given to the spatial design and […]

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Blog Post

Setting up as a Limited Company

I am a light and text artist working to create installations and sculptures mainly for the public realm. For around 5 years I have been working as a sole trader in terms of my business structure. It has worked well […]

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Blog Post

Sculpture Club!

Throughout the bursary I have been working both on taking a piece through all stages of the casting & finishing process and intermittently working on Scartworks other commissions as and where I was needed. I’m not quite sure which part […]

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News News story

Tate acquires Sylvia Pankhurst watercolours of women working

More News In Brief: Artist duo Hesselholdt and Mejlvang claim Danish museum failed to pay them; Moscow residents petition Garage Museum of Contemporary Art after it accepts sponsorship from property developer; Liverpool authorities stand by ‘insulting’ logo design competition.

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Blog Post

Jamboree2018-Reflection Part 2

Collaborative Making Taking part in Jamboree 2018 allowed me to be part of the main event, as both participant and observer. Workshops such as Lucy Steggals and the crochet session to work in lines or circles and how this then […]

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Blog Post

2. New Forest

I continued to research the New Forest, traversing the land, accessing archives and meeting with relevant arts professionals and local organisations to try to identify potential opportunities. The bursary not only provided me with some resources but also a vital […]

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Blog Post

4. Artist Conversations and Field Trips

In the summer of 2018 (again thanks to the support of the bursary) I was able to invite artists on fieldtrips to the New Forest to visit areas of interest and discuss possibilities, narratives and opportunities that it prompted. Artists […]

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Blog Post

5. What next for MTP

We are in conversation with the Forestry Commission and various other local communities and partners to inform our activities in 2019. We are planning and fundraising to present a series of artist-led events and performances throughout the year. Mary Cork […]

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