Announcing the recipients of this year’s a-n Artist Bursaries, which offer awards of £500-£1,500 to a-n Artist members wishing to undertake self-determined professional development over the coming year. We take a look at some of this year’s funded projects and hear from successful applicants.
Hannah Pierce, who has held curatorial and programming roles with organisations including The National Trust and Jerwood Visual Arts, offers advice and explores the key issues to consider when applying for a residency with non-arts organisations.
Kevin Hunt explores the nature of temporariness and expiration, morphing and longevity in artist-led initiatives. Written to coincide with the launch of the Artist-Led Hot 100 (version ii) and Assembly Liverpool, May 2017.
Juan Bolivar, an artist and curator, explores the history and practice of curating, and provides ten key questions for independent curators and artists to help guide you in developing your first exhibitions. Bolivar’s painting practice runs parallel to his curating practice; first initiating TRAILER (2001-05) – an artist collective utilising temporary locations to stage exhibitions – and since, going on to curate over 40 exhibitions as an independent curator.
Selected artists Silvia Rosi and Theo Simpson each received £10,000 to produce a new body of work for exhibition at Jerwood Space, London, plus a production fund of £5,000 and high profile mentoring support from an international panel of experts. Jack Hutchinson attended the launch of the exhibition and met the artists.
Following the first workshop on the a-n Writer Development Programme 2019-20, hosted by Coventry Artspace back in November, the writers were tasked with filing a 1,000 word feature on Coventry Biennial. The article needed to include quotes from the biennial’s […]
Some fresh tasty vegetables [talent], a dash of hot sauce [ideas], knob of butter [agency], a glug of ageing wine [experience], a crumble of stock [collaboration]? Then there is the cooking … time, space and don’t get me started on […]
How the a-n Artist Bursary made a difference for the prospective development of the artist
Proactively seeking out opportunities to realise exhibitions and projects is an important strategy in the arts. Adam Smythe, Curator at the Bluecoat in Liverpool, gives some advice on the best methods of approaching galleries with exhibition proposals for your own work or for curatorial projects.
For this follow up to her Approaching galleries guide, Jennie Syson asked artists, arts managers, curators and gallery directors to share their top tips, and dos and don’ts advice.
Jennie Syson offers some advice on approaching galleries, through setting out the different research routes and methods you might use.
When I first started looking into the dank realities of the creative economic dungeon, I didn’t consider curation at all. Maybe because I never thought I would make a good curator, without an art history PhD, and I never enjoyed […]
The 2020 a-n Artist Bursaries are now open for applications, with awards of between £500-£1,500 available to a-n Artist and Joint (Artist and Arts Organiser) members wishing to undertake self-directed professional development. PLEASE NOTE: THE APPLICATION DEADLINE HAS NOW PASSED.
As part of our commitment to supporting artists, we are offering 50+ bursaries of between £500 – £1,500 for self-directed professional development. APPLICATION DEADLINE HAS NOW PASSED.
Anna Berry continues her reflections on a curatorial residency at Midlands Arts Centre, in partnership with DASH. In this piece – co-published with Disability Arts Online – she gets her hands dirty and starts to learn some of the tricks of the trade.
Underpinning is the project of Aberdeen-based artist Kirsty Russell. This profile includes a video interview, recorded at Assembly Aberdeen, in which Russell introduces her practice, which often involves ‘creating spaces where there’s room for other people and ideas.’
A+E is a Glasgow-based multi-disciplinary collective who work at the intersection of art and ecology. This profile includes a video interview, recorded at Assembly Aberdeen, with A+E members Lucy Watkins, Maria Sledmere and Finn Arschavir, who introduce their practice and describe the benefits of working with others to find new perspectives.
Gaada Projects works in venues across Shetland, offering platforms and support to local communities. This profile includes a video interview, recorded at Assembly Aberdeen, with Gaada’s co-directors Daniel Clark and Amy Gear, who outline the challenges and opportunities of setting up an artist-led initiative in a remote, rural location.
Jo Capper is an artist educator and Collaborative programme curator at Grand Union in Birmingham. This profile includes a video interview recorded at Assembly Aberdeen in which Capper introduces her work and describes the importance of collective action.
In the first of a series of articles co-published with Disability Arts Online, artist Anna Berry writes about becoming DASH curator-in-residence at Midlands Arts Centre.
A critical review of Stryx Gallery’s SOUP Pt V: BLENDER residency
written by Emily Scarrott
A critical review of Stryx Gallery’s SOUP Pt V: BLENDER residency
As part of our commitment to supporting artists’ professional development, we are offering a-n members remote access to a series of mentoring sessions with our visual arts mentors. DEADLINE IS NOW PASSED.
The second a-n Assembly event of 2019 took place in Aberdeen with a day of talks, workshops, activities, curry and a film screening.
