A prematurely-shut participatory installation by Renfrewshire-based artist Ross Fleming, which included ingredients such as Pre-Exposure Prophylaxis (PrEP), lemons, condoms, and badges in transparent goodie bags.
Notes from a conversation
“how… do you add something that is also a subtraction, construct the irreducible, disappear and don’t… [and remain] forever incomplete?”, Martin Herbert from ‘Tell Them I Said No’, Sternberg Press, Berlin, page 92, on the artist Christopher D’Arcangelo (1955-1979) […]
Three film works by Rosalind Nashashibi: Electrical Gaza, Vivian’s Garden and Part One: Where there is a joyous mood, there a comrade will appear to share a glass of wine; Part Two: The moon nearly at the full. The team […]
‘The Collective Museum: Citizen project for a museum of collective memory’, a new exhibition from L’Atelier de l’Observatoire, a Casablanca-based contemporary art organisation at Collective is a proposal on the precariousness of individual, collective and institutional memory, the vulnerabilities of […]
‘‘Genea!’, says Marauder’ a show by Richard Taylor that included video, sound, 35mm slide projection, sculpture, photography and performance.
