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Damien Hirst painting

Saw a video on Instagram of Damien Hirst in his studio with huge paintings around all the walls. Of flowering cherries. They are sensational … remind me of a painting by Van Gogh I saw a long time ago in […]

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A Q&A with… Rachel Howard, abstract painter reflecting an unstable world

Rachel Howard’s paintings reference an unstable and violent world, drawing on political events and the devastation of war. With two current London exhibitions at Blain Southern and Newport Street Gallery, Fisun Güner talks to the artist about what inspires her work and how her early experience painting spots for Damien Hirst influenced her approach.

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In Brief: other news this week

A weekly briefing featuring national and international art news, including: permanent public display of works confiscated from mafia boss, collector gets to keep Picasso sculpture in ownership dispute and artist suing Damien Hirst over charm bracelets.

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The struggle of painting

Making good art is not only a struggle, but a bloody nightmare. I agree with Damien Hirst on this one: “Making art, good art, is always a struggle. It can make you happy when you pull it off. There’s no […]

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The Perspective Paradox – Patrick Hughes

Hang-Up Gallery proudly presents a solo show by British artist and inventor of ‘reverspective’ Patrick Hughes, celebrating sixty-years since his first exhibition and twenty-five years living and working in East London.

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40th Anniversary Feature

40 Years 40 Artists: Franko B

Franko B discusses his early body and blood-based performances in gay clubs during the 1990s, made at the height of the AIDS crisis.

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02/09/19

Art Lab at Dean Clough returned after a break over August with a fantastic September line up of David Fennell-Roberts, Gill Crawshaw and our regular slide presentation Robert Donald. I asked everybody to briefly introduce themselves and then handed over […]

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Now Showing #301: The week’s top exhibitions

This week’s recommended shows include a major festival of international sculpture across four venues in Yorkshire, an exhibition in Manchester of work by 17 artists inspired by a 1932 mass trespass, and in London a powerful painting show by three generation-spanning black female artists.

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