Look out in September for Good exhibition practice with contributions by Lee Corner and Paul Glinkowski. Subscribers automatically receive copies of each of our 25-year publications. a-n Magazine August 2005
Miranda Whall and Graham Dolphin discuss programming and participating in a research trip to Berlin.
I was fascinated to read your letters page in the July issue of a-n Magazine. Perhaps a new, refreshed debate should commence regarding the value and recompense for all forms of teaching the arts. I have always valued teaching not […]
Karen Watson reports on a national studios forum
Cuts in funding at Further Education and Higher Education institutions have had a huge impact recently, particularly within arts departments nationwide, but only cursorily covered in the general press. The government directive to increase student numbers in spite of this […]
We set out to work with other artists and curators as well as those people with whom we collaborate on the site of our projects.
RCA, London
8 April – 1 May
Eleven promising artists from the East of England will showcase work in London in July. Selected as part of Escalator Visual Arts initiative, the group represents a diversity of career stage, with two artists graduated within the last year, whilst […]
Stephen Palmer explores the issues surrounding artists and their studios – from finances, time and work patterns and location to group set-ups and DIY options.
Thank you for many years of a-n magazine. I have enjoyed using it very much. Recently I came to the realisation, as I rang yet another competition for details, that I was really using it for the artists’ opportunities. Only […]
A plethora of shortlists and prize-winners have recently been announced, making April a bonanza prize month.
This spring, as part of the Africa 05 arts festival, a number of artists from around the African continent are in London making new work for various cultural institutions. Paul Glinkowski introduces the work of five of them.
Trinity Technology College, Warwick
11-23 February
Art Gene combines a residency programme with links with education and plays an active part in local regeneration.
A small collective workspace in a converted barn in rural Lancashire.
S1 Artspace provides studios for artists whose work is both contemporary and critically engaged.
Finding the Common Threads is a two-year study being conducted by the Centre for Creative Communities with support from Arts Council England, London and Deutsche Bank. With London as its focus, the project is investigating some of the issues funders […]
Occupation Studios is a case study in cooperative survival in the urban regeneration landscape.
Out of the Blue has thrived through establishing a diversity of activities and income streams.
DAW adapted a successful model of an open studios event for a rural location.
Temporary studios can be a useful option for creating project-specific work.
How a partnership with their local university helped FusionARTS secure studio premises.
Kathryn Smith on Johannesburg and Virginia Mackenny on Cape Town. The second part in a series commissioned by Deborah Smith.
CRATE successfully accessed economic development and regeneration funds to buy a building.
Chris Brown of g39 and Louise Short of Station, devisors of Quo Vadis, reflect on the motives, intentions and themes of the event.
