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Business index
Carey Young provides a guide to engaging with businesses and in business contexts.
You searched for good practice - Page 120 of 122 - a-n The Artists Information Company
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Soda@Pfizer
Neal White, a member of Soda, shares the groups experience of undertaking a residency at the pharmaceuticals company Pfizer.
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Introduction
Artists & businesses
Lucy Kimbell looks at how artists and arts organisations can work with businesses and the pros and cons of such collaborations.
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Danny Rolph
Gordon Dalton talks to Danny Rolph about creative process, gallery representation and residencies at Delfina and the British School at Rome.
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Ben Coode-Adams
Brigid Howarth takes an in-depth look at the career path of sculptor and new-media artist Ben Coode-Adams, who makes his living from public and private commissions.
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Kate Schuricht
Brigid Howarth looks at the career of ceramic artist Kate Schuricht who developed her own business after receiving a Crafts Council Setting Up award.
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Muf
David Redhead profiles Muf, a collaborative practice of art and architecture committed to public realm projects, exploring its manifesto, projects and modes of collaborative working.
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Introduction
Artists’ business
Brigid Howarth looks at how Sue Park, Amanda Doughty, Joe Magee and Kuljit Chuhan make a living thourgh selling their work or skills.
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Introduction
Self-employed artist
Linda Ball explores how self-employed artists operate and how an artist-run business can work.
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Profile
Next move
Heather Rigg profiles Next Move, a national professional development scheme which aims to launch the careers of applied artists.
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Guide
Setting up an event
A guide by Paul Stone on how to successfully plan, develop, manage and promote an artist-led event.
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Cultural condition
Illustrating the approach she brings to her new role at [a-n], Gillian Nicol highlights some of the challenges and opportunities for artists and their practice today, looking broadly at education and employment, status and lifestyle and the impact of widening access to technology.
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Old spaces for new art
Penelope Curtis explores how ‘installation art’ has affected our readings of art, artists and curators.
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Making art work
Heather Rigg reports on a professional development scheme in Suffolk that provides a package of support for artists in that region.
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Capital city
New Delhi isn’t an obvious destination for visual arts practitioners. However, as Judith Staines discovered, scratch the surface and a more interesting picture starts to emerge.
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Artists save the world?
“Imagine an ecological city, where communities are based on voluntary cooperation not competition, mutual aid not private profit, cultural diversity not globalised monoculture, permaculture not consumer culture”.1
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Beyond borders
Working internationally, and how this informs an individual artist’s practice, need not only be about physical travel. Gavin Wade and Aleksandra Mir give personal assessments of their involvement in two different projects. Both projects are ongoing, constantly evolving, and involve a process of research and collaboration with individuals and organisations from different countries. The results of this methodology – the surrendering of a degree of individual authorship – influences the physical manifestation of each artist’s final work.
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Eve Dent
My work explores the boundaries between the physical body and the body of a site.
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Big business?
Brigid Howarth investigates the multifaceted business of buying and selling in the corporate art market.
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Mediated journeys
Jose Ferreira introduces us to artists’ imaginative use of technology and its relationship to urban space.
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Fail… to succeed
David Butler reports on the current crop of ground-breaking collaborations between art and science that are giving artists the time to undertake sustained, open-ended research without the expectation of a specific outcome.
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Douglas Gordon
The master of Hollywood remakes and literary allusion, Douglas Gordon, talks through his career development with Morgan Falconer.
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The art of fitting in
Site-specificity and community involvement might be buzzwords for attracting funding bodies, but they are no guarantee of project success. Emma Safe visited Swansea for this year’s Locws2 to find out how they tackled some of the issues.
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Shout, shout
Emilia Telese reports from the ‘screaming independent art scene’ in Tuscany.
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The windy city
Tom Burtonwood provides an overview of the artist-run scene in the Chicago.