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Changing States:
Contemporary Art and Ideas in and Era of Globalisation
Published by inIVA
You searched for good practice - Page 118 of 122 - a-n The Artists Information Company
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Quo Vadis: Surfing the bore
Paul Glinkowski on the circumstances around cultural barriers and how they can be breached or transformed.
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Curating now
Gordon Dalton reports on the Curating Now symposium at the Irish Museum of Modern Art hoping to find the future of curating in museums.
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Whose island?
Devised by Grizedale Arts, ‘Romantic Detachment’ features artists from the UK and the USA. Brian Dewan’s text forms part of his performance/installation for the exhibition.
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LAN2D: beyond landscape
Crossley Gallery, Dean Clough, Halifax
6 November – 9 January
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PACE
Jane Watt profiles PACE, public art commissioning agent for Royal Aberdeen Children’s Hospital.
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Guide
Intangible, inflatable, irreducible
Lucy Kimbell explores the value of artists’ work.
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Stroud Valleys Artspace
More than just a studios building, Stroud Valleys Artspace (SVA) represents a hub for artists in the area.
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Work(space) in progress
Studio-based artists have been made vulnerable by the recent property boom as run-down former industrial buildings attract developers with an eye for a lucrative conversion. Some studio providers though, have managed to stay put and in some cases have moved on to better premises. Paul Glinkowski offers this progress report on artist-led studios projects in Leeds and in Stroud.
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Susan Collis
I’m drawn towards work that offers two opposing features or truths.
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It’s a far away town
International fairs are a great opportunity for researching galleries and making contacts, here is a selection of just some of the 150 showing at this year’s Frieze Art Fair.
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Work in progress
Paul Stone examines some of the issues arising from the a-n event in June.
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Editorial – 2004 August
Looking back over ten years of Braziers international artists’ workshops World in Motion it’s interesting to see how artists feel about the impact of the workshops on their practice in retrospect. Like Simon Faithfull, who can “track particular career developments […]
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Steven Dickie
I have always been inquisitive about technology.
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Editorial – 2004 July
Culture secretary Tessa Jowell’s recent essay1 (see News) indicates the government’s rediscovery of the value of culture “for what it does in itself”. Although couched in terms of a “weapon in fighting poverty of aspiration”, this time the battle will […]
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Locative networking
Iliyana Nedkova responds to the networking themes that arose at Amorphous combustion, part of a body of specially commissioned writing published now on www.a-n.co.uk
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Mission men
Los Angeles-based curator Julie Deamer talks to artist Chris Johanson and the gallerist Jack Hanley about their mutual admiration for each other.
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News archive
Studio moves
Artist-led Leeds Sculpture Workshop has rented property in Leeds for over ten years. Now the studio has moved into a permanent home that will enable artists to rent studio facilities at affordable prices in a professional atmosphere. This is a […]
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Eating Grass
Edith-Marie Pasquier talks to inIVA Director Gilane Tawadros and artist Alia Syed about their experience of working together.
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In memorium
Jane Watt discusses contemporary approaches to the creation of public monuments.
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Together forever
Julie Brook gives a personal account of her involvement in the Comhla International Artists Workshop in North Uist.
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Experiment:
Conversations in art and science
Published by the Wellcome Trust
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The view from here
Henna Asikainen reports from the Fifth International Conference on Environmental Aesthetics.
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Auditing Scotland
The Scottish Arts Council has recently published an audit of visual artists. Moira Jeffrey reports.
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Deutsche Bank Art Collection
Brigid Howarth talks to Deutsch Bank curator Mary Findlay about the sourcing and buying of artworks for the largest corporate art collection in the world.