Kirsty Ogg, the current Curator at the Whitechapel Gallery, is leaving to take up a new post as Director of Bloomberg New Contemporaries.
Richard Biddiscombe and Steve Evans, 'Lines, Space and Angles', Photography and Drawing, October 2013.
This week is ‘Frieze week’ in London, and as well as the internationally recognised Frieze Art Fair in Regent’s Park, the city will be awash with other fairs, some artist-led and focused, some themed, and some unashamedly commercial.
Not been able to get here as its been a busy few days. Friday I set off for the Saatchi Gallery where a new Art Fair called SRARTA had just opened. I was on my way to see work by […]
My Portfolio Review session at Impressions Gallery on Friday, with exhibiting photographer Melanie Friend and Head of Programming Pippa Oldfield, has given me much to think about over the weekend.Although I am very interested in Melanie Friend’s work, and found […]
Marking the tenth instalment in our series on art books, Tim Clark turns his attention to David Campany’s Gasoline, an evocative publication comprising 37 press images of gas stations that are imbued with their own history and reveal more than they purport to show.
Have had a few very tired days, all of me in the horizontal, thoughts, gestures, desires, and at one stage pondered the image of my brain’s coils and curls unfurled and laid out next to me, two fleshy greyish-white cords […]
The role of the artist studio within processes of redevelopment in cities has been brilliantly captured in a fascinating publication, The Nomadic Studio: Art, Life and the Colonisation of Meanwhile Space. Tim Clark speaks to Michael Heilgemeir, the photographer behind it.
The programme for the sixth edition of Glasgow International Festival of Visual Art, the first under new Director Sarah McCrory, combines the local and international to create a busy 18 days of contemporary art activity across the city.
Malika Squalli, 'The yellow trip - A self portrait', Photography, 2013. Courtesy: Malika Squalli.
'Claudia Pilsl'. Anthony Palmer has spent the last six years photographing the impact of ?London 2012? on the built environment of Stratford where he lives. Responsible for the filming of the construction of the Olympic Park for the Olympic Delivery Authority, his own photography is a visual practice that explores the intersection of new architecture and public art within the deeper material layers of the urban landscape.
Natalia Plata?s research takes place in different organisational spaces of several communities and human rights organisations. Regarding photography as a visual mean, Natalia wants to question the relevance it can have in social contexts, how urban photography can be relevant to achieve social changes in specific communities, and consider the role of photography within these processes. Natalia aims to find a way to translate these movements in a visual way to support relevant social actions.
Iris Ragnhild de Hoog. For this project her photography is inspired by the ineffability of spaces linked to human grief and atrocities. The spaces encapsulate a social memory, which is forever changing. The memory of a war is most vivid for the ones that lived it, but what about the following generations?
Channels International Video Festival, Melbourne, Australia
17 – 26 October 2013