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Gagosian, frieze 2013
News News comment

Review: Frieze London – a good education in how the art market works

Is Frieze Art Fair useful in any way to artists and is it good for artists and art? Filmmaker, artist and Frieze first-timer Gillian McIver roams the gallery booths and curated projects at the fair’s vast Regent’s Park marquee and finds the experience useful, enlightening and at times troubling.

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Now and Then (nos. #7,  #11, #6)
Event Exhibition

Wundercamera

  • Archive
  • Venue:
    Pm Gallery & House
  • From:
    November 22, 2013
  • To:
    January 11, 2014
  • Location:
    London
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Untitled
Event Exhibition

Alice

  • Archive
  • Venue:
    PM Gallery & House
  • From:
    November 22, 2013
  • To:
    December 14, 2013
  • Location:
    London
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Lines, Space and Angles
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Lines, Space and Angles

Richard Biddiscombe and Steve Evans, 'Lines, Space and Angles', Photography and Drawing, October 2013.
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News News story

‘Frieze week’: other art fairs are also available

This week is ‘Frieze week’ in London, and as well as the internationally recognised Frieze Art Fair in Regent’s Park, the city will be awash with other fairs, some artist-led and focused, some themed, and some unashamedly commercial.

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Blog Post

Untitled blog post from "blog…"

Not been able to get here as its been a busy few days. Friday I set off for the Saatchi Gallery where a new Art Fair called SRARTA had just opened. I was on my way to see work by […]

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Blog Post

Untitled blog post from "Reciprocity"

My Portfolio Review session at Impressions Gallery on Friday, with exhibiting photographer Melanie Friend and Head of Programming Pippa Oldfield, has given me much to think about over the weekend.Although I am very interested in Melanie Friend’s work, and found […]

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Event Exhibition

Cognition

  • Archive
  • Venue:
    St Edwards Church Hall
  • From:
    October 17, 2013
  • To:
    October 22, 2013
  • Location:
    Wales
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Gasoline
News News story

PICTURED #10: David Campany, Gasoline

Marking the tenth instalment in our series on art books, Tim Clark turns his attention to David Campany’s Gasoline, an evocative publication comprising 37 press images of gas stations that are imbued with their own history and reveal more than they purport to show.

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Blog Post

Untitled blog post from "Sleep-drunk I dance"

Have had a few very tired days, all of me in the horizontal, thoughts, gestures, desires, and at one stage pondered the image of my brain’s coils and curls unfurled and laid out next to me, two fleshy greyish-white cords […]

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Glasgow International 2014
News News story

Glasgow International 2014: programme announced

The programme for the sixth edition of Glasgow International Festival of Visual Art, the first under new Director Sarah McCrory, combines the local and international to create a busy 18 days of contemporary art activity across the city.

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Cathy Rogers
Event Exhibition

SHIFT

  • Archive
  • Venue:
    MAKING ART WORK at The Bowerhouse
  • From:
    October 17, 2013
  • To:
    October 26, 2013
  • Location:
    South East England
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Claudia Pilsl
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Claudia Pilsl

'Claudia Pilsl'. Anthony Palmer has spent the last six years photographing the impact of ?London 2012? on the built environment of Stratford where he lives. Responsible for the filming of the construction of the Olympic Park for the Olympic Delivery Authority, his own photography is a visual practice that explores the intersection of new architecture and public art within the deeper material layers of the urban landscape.
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Natalia Plata?s research takes place in different organisational spaces of several communities and human rights organisations. Regarding photography as a visual mean, Natalia wants to question the relevance it can have in social contexts, how urban photography can be relevant to achieve social changes in specific communities, and consider the role of photography within these processes. Natalia aims to find a way to translate these movements in a visual way to support relevant social actions.
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Claudia Pilsl
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Claudia Pilsl

Iris Ragnhild de Hoog. For this project her photography is inspired by the ineffability of spaces linked to human grief and atrocities. The spaces encapsulate a social memory, which is forever changing. The memory of a war is most vivid for the ones that lived it, but what about the following generations?
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