From its base in rural Cambridgeshire, Wysing Arts Centre has been supporting artists to make new work for the past 25 years. We hear from artistic director Donna Lynas, and artists Emma Smith and Seb Patane, about the future aims of the organisation and how the its well-regarded residency programme fosters creative relationships.
All a-n’s UK Artist + AIR members get free, specially tailored public and products liability insurance with their annual membership. Here, a-n’s Director outlines why making sure you’re properly covered is essential for every practising artist.
Hotel Elephant’s recent move from the Heygate Estate to Newington Causeway in South London sees the launch of its first shop and café, along with studios, a gallery and projection room within 15,000 square feet of warehouse space.
From the Turner Prize to the recent Lumiere festival, the visual arts has played an important role in Derry-Londonderry’s 12 months as the first UK City of Culture. But as the year draws to a close, what will its legacy be for art and artists in the city?
The role of the artist studio within processes of redevelopment in cities has been brilliantly captured in a fascinating publication, The Nomadic Studio: Art, Life and the Colonisation of Meanwhile Space. Tim Clark speaks to Michael Heilgemeir, the photographer behind it.
ArtSOUTH brings together 15 organisations and ten artists for a series of new art commissions across Hampshire, the Isle of Wight, Portsmouth, Winchester and Bournemouth. Curator Judy Adam discusses the rationale and process behind the commissions, while artist Graham Gussin explains how he pulled off a tricky collaboration with a collective of choreographers and the British Army.
After last year’s hiatus, the artist-focused art fair returns to London during Frieze week, offering a snapshot of grassroots practice in 2013. We find out more from Sluice co-director Karl England and talk to some of this year’s participants.
Bookmaking and self-publishing are becoming increasingly prominent forms of artistic practice. Catherine Roche considers the rise in popularity of artists’ books and what it means to ‘publish’ in a post-digital age.