You searched for self employment - a-n The Artists Information Company

The recent coverage in a-n publications on good practice and rates of pay for artists is very useful, but I think that an important issue has not been covered.

I used to subscribe regularly to a-n many years ago and have just renewed my subscription online. In searching the site I have not been able to find anything collated (enlighten me please if I’m wrong!) specific for the more […]

To play their part in the economic recovery, many workers who have retained employment are being asked to do more, for less.

12 Visual art representatives address the damage that will be inflicted by proposed spending cuts, in a letter to the Secretary of State for Culture, Olympics, Media and Sport.

In the face of a new political era compounded by an unprecedented financial climate, the need to forecast our future living and working conditions is urgently felt.

The quality of art education offered in UK universities has been regularly under the spotlight in recent times. In this month’s Debate, an MA graduate gives an account of the critical situation, and proposes an alternative system to offer education for artists.

Since November 2006, Arts Council England has been asking all across the land to add their views on the public value of the arts.

“The UK’s leading information and advocacy organisation for artists and their collaborators”, a-n, a newsletter and ‘artists information company’, has become so grossly over laden with the argot of management consultancy.

As a former teacher now working for the past five years as a gallery educator and also a freelance artist I have been interested to follow the a-n proposals on artists’ fees.

This is a response to John Boshoff’s letter in August.

Artists comment on the Arts Council’s Turning Point Strategy.

Paul Matosic’s letter (June issue) raises important issues for all artists for whom operating professionally is vital.

I attended the Junst event in Rotterdam, advertised in a-n last month, and thought you might like feedback: The exhibition was full, and what struck me at first was the vitality and variety of the 500 exhibitors’ work. It was […]