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Aikaterini Gegisian profiles ZKM Center for Art and Media in Germany.

Special degree show review: Chris Brown visits colleges in Wales.

Kate Day, curator of contemporary craft at Manchester Art Gallery, talks to Amanda Fielding about her work. First in a new six-part series ‘Crossing over’ focusing on arts professionals and how they work with artists.

Gillian Nicol explores the gap between the expectations of artists and others of ‘alternative’ activity.

Artist Chloe Steele reports on her research trip to China, a country powering itself into the next generation as a major economic player. With a changing political make-up and growing middle class, China is establishing itself as a key player in the international art world.

Jeni Walwin, investigates Blast Theory an innovative, yet pragmatic artist-led company that’s proving to be inspiration for many artists working in performance and new media.

John Cornall profiles the international art college.

Recent developments at the APT studios and gallery at Creekside in Deptford are establishing it as one of the most exciting artists’ workspaces in London. And artist-run Temple Arts Group in Bethnal Green is establishing links between the London art community and residents in the East End.

Aikaterini Gegisian examines the art scene of south east Europe.

Down town Regardless of your artistic persuasion the New York art scene is probably the most seductive in the world, with the possibility of wealth and influence promised by the American art dream. As someone whose artistic and curatorial interests […]

Illustrating the approach she brings to her new role at [a-n], Gillian Nicol highlights some of the challenges and opportunities for artists and their practice today, looking broadly at education and employment, status and lifestyle and the impact of widening access to technology.

Paul Edwards describes how residencies provide him with the opportunity to concentrate wholly on his practice.

Penelope Curtis explores how ‘installation art’ has affected our readings of art, artists and curators.

Last September a diverse group of artists from Germany, Austria, Russia, Scandinavia, the US and UK assembled in the studios of the Academy of Media Arts in Cologne for a frenzied weekend of live performance. Rob Flint was one of the participants.

New Delhi isn’t an obvious destination for visual arts practitioners. However, as Judith Staines discovered, scratch the surface and a more interesting picture starts to emerge.

Susan MacWilliam reports on her residency at Caribbean Contemporary Arts (CCA), Trinidad.

In the summer Edinburgh-based artist Julie Read attended IMPACT, the Second International Printmaking Conference in Helsinki. She also took the chance to check out the local artscene.

“Imagine an ecological city, where communities are based on voluntary cooperation not competition, mutual aid not private profit, cultural diversity not globalised monoculture, permaculture not consumer culture”.¹

Neil Zakiewicz plots the progress of The Trade Apartment’s ‘alternative’ activities.

Networking through the internet

Jes Fernie reveals the process of enquiry that challenges collaborations between artists and architects.

Glass artist Jonathan Andersson discusses the benefits of breaking into the American art and craft fair circuit.

David Butler reports on the current crop of ground-breaking collaborations between art and science that are giving artists the time to undertake sustained, open-ended research without the expectation of a specific outcome.

American artist Kurt Perschke reports with an account of his self-organised large inflatables ‘RedBall Project’ in Barcelona.