You searched for curatorial practice - Page 3 of 4 - a-n The Artists Information Company

Jonathan Swain introduces a new series of articles resulting from Close proximity, a two-day NAN event that took place at New Greenham Arts in Berkshire, 21-22 May 2005.

Stephanie Délcroix on the processes of public commissioning in France.

Miranda Whall and Graham Dolphin discuss programming and participating in a research trip to Berlin.

Bruce Haines profiles Johannes Phokela’s ongoing partnership with Gasworks in London.

Laura Hewitt on Hotel Mariakapel, an artists’ initiative where the ideas of intimacy, dialogue and collaboration are fundamental concerns.

Projects and collaborations rarely spring into existence fully formed. Hilary Williams examines a short project that developed into a major programme, led to the setting up of a new arts business, and to jeweller Mah Rana uncovering new tracts of material and experience.

A-n Director of Programmes Susan Jones reviews artists’ jobs and opportunities over the years.

Paul Stone examines some of the issues arising from the a-n event in June.

Iliyana Nedkova responds to the networking themes that arose at Amorphous combustion, part of a body of specially commissioned writing published now on www.a-n.co.uk

Kaavous Clayton reports from the InFest: International Artist-Run Culture conference in Vancouver, Canada.

Winners of the decibel visual arts awards, aimed at black and Asian artists, and curators, were announced in March.

Gillian Nicol reports on Montreal’s vibrant artist-run sector.

Mike Stubbs reports from The Next Five Minutes International Festival of Tactical Media in Amsterdam.

Deborah Smith unpicks the notion of collaborative practice in the work of the artist, writer and curator David A Bailey, the third article in the ‘Crossing over’ series.

Rosemary Shirley visits Reading-based gallery and studio complex Open Hand Open Space and discovers what makes the organisation tick.

In the second of the ‘Crossing over’ series, Nina Madden meets Kirsty Ogg, Director of London-based organisation The Showroom.

Chris Noraika discusses the pros and cons of working outside
of the commercial gallery stable system.

Curatorial partnership B+B talk about their residency at the Austrian Cultural Forum in London.

Down town Regardless of your artistic persuasion the New York art scene is probably the most seductive in the world, with the possibility of wealth and influence promised by the American art dream. As someone whose artistic and curatorial interests […]

Lars Bang Larsen’s discussion of visual art extends beyond new sites and contexts to ask questions of how art meets the idealogical spaces of politics and mass media – and how behaviour has become aesthetic.