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Extracts from the Curated space online think-tank presentations and discussions.

Brief extracts from the Social space presentations and discussions, to introduce the issues and broaden participation.

In March, AIR – Artists Interaction and Representation – put its weight behind calls for art education to be accessible to all, following a survey in which 95% of its members gave hearty support to the view that art education should be accessible “irrespective of background and financial status”. Here we outline AIR’s campaign and the survey’s key findings to provide evidence for artists to use.

What is an artist-curator? What makes a good collaborative partnership between a curator and an artist? What financial, practical and critical support is available to curators? Do you work with an organisation or go it alone?

It would seem that politics has taken centre stage in contemporary art.

Artists’ projects in progress

Jane Watt examines NAN’s characteristics and its relationship to the current networking climate.

Our open space for critical writing about exhibitions, projects and publications is online now. Anyone can read the reviews or say something pertinent about a contemporary visual arts project. The site will grow as you contribute to it.

A round-up of projects that explore approaches to making and siting art beyond conventional white cube spaces – from travelling fairgrounds and riverboat processions to site-responsive installations and public sculpture.

Alice Bradshaw and Matthew Geraghty discuss Temporary Art Space’s six-month tenancy in the council-run Piece Hall in Halifax.