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Carolyn Black profiles the intensive ideas laboratory run by PVA MediaLab.

Ben Coode-Adams talks to Rob Kesseler and NESTA about their symbiotic relationship.

Jane Watt looks at artists and commissioners who are redefining what it means to work in the ‘public region’, in the second of the six-part series ‘Navigating Places’.

Roxane Permar describes setting up a new artists’ membership group in Shetland.

Artist Chloe Steele reports on her research trip to China, a country powering itself into the next generation as a major economic player. With a changing political make-up and growing middle class, China is establishing itself as a key player in the international art world.

Emilia Telese on ArtSway’s residency programme.

Curatorial partnership B+B talk about their residency at the Austrian Cultural Forum in London.

Dany Louise reports on the Urban Ecologies seminar in Liverpool, and highlights recent projects which have successfully engaged with urban issues whilst balancing artistic aims and community involvement.

Dion Ellis gives an overview of SCAN (Southern Collaborative Arts Network), an evolving consortium of ten independent arts organisations that aims to promote emergent, collaborative and experimental practice based around new media.

Down town Regardless of your artistic persuasion the New York art scene is probably the most seductive in the world, with the possibility of wealth and influence promised by the American art dream. As someone whose artistic and curatorial interests […]

Carolyn Black’s first time working away from her home and studio was a UNESCO funded residency in Java, Indonesia.

Paul Edwards describes how residencies provide him with the opportunity to concentrate wholly on his practice.

New Delhi isn’t an obvious destination for visual arts practitioners. However, as Judith Staines discovered, scratch the surface and a more interesting picture starts to emerge.

Susan MacWilliam reports on her residency at Caribbean Contemporary Arts (CCA), Trinidad.

Glasgow-based artists Ben Woodeson and John Beagles give accounts of two very different recent events in Berlin: the artist-run BBQ Project and Art Forum Berlin, the city’s annual art fair.

Susannah Silver considers the impact of the Year of the Artist and it’s legacy.

On the West Coast of America, Harrell Fletcher is making history – not in the grandiose sense, but through an approach to art-making that brings out individual voices and stories.

Drifting south west to Cornwall, Alan Bleakley describes PALP, an artist-led group committed to experimental, collaborative and socially inclusive projects.

David Butler reports on the current crop of ground-breaking collaborations between art and science that are giving artists the time to undertake sustained, open-ended research without the expectation of a specific outcome.

Valerie Coffin Price reports from Est-Nord-Est, an artist-led centre in Quebec, Canada.

In the first of a six-part series ‘Inhabited spaces’, Alice Angus presents artists’ perspectives on language and its relationship to place.

Neil Zakiewicz profiles the Triangle Arts Trust, celebrating its twentieth anniversary this year.

Louise Short explains the international networks behind the participation of UK artists in this month’s Melbourne Festival.

Hannah Wingrave gives an overview of a conference that brought together a range of artists, academics and critics and formed part of North Devon Ceramic Events 2002.

Julie Read gives an account of her experience on a residency in the Austrian capital.