Over the course of four years, artists, curators and writers were invited to select blogs from the a-n site. Their choices highlights the range and depth of practice discussed on a-n’s artists’ blogging platform at that time.
Here, we profile a selection of courses offering postgraduate level study for artists seeking to develop their practice further within creative, supportive and critically challenging environments.
From subsidised studio and accommodation to one-on-one mentoring sessions, here we spotlight a selection of residencies that provide support to artists across the UK and beyond.
News and updates on AIR’s strategies and activities designed to support professional artists within their practice and working lives.
A selection of post-graduate study routes on offer across the UK.
In these times of austerity, a-n Magazine has compiled a catalogue of money-saving ideas for freelancers that have been tried and tested by our readers.
Thoughts from artists and arts professionals about how cuts in public spending will affect their future working pattern. Plus April Britski gives an account of how recent governmental decisions to cut arts funding have affected Canadian artists.
Striving and surviving in the do it yourself art world; curating, managing members, self-publishing. Richard Taylor talks to three recently founded artists’ groups about doing it ‘DIY’, progress so far and what the future holds.
In a world increasingly skewed by notions of commodity and markets, artists and creative practitioners must be proactive in seeking out opportunities that enable them to experiment and take the risks that will drive up the quality of their work.
HTML version of Community engagement in which Catherine Wilson explores the myriad ways artists can engage with specific communities via residencies, collaborations, cross-cultural projects and research.
Kai-Oi Jay Yung speaks to Guyan Porter about his residency at Chandrasevana Creation Centre in Sri Lanka.
Catherine Wilson addresses three collaborative projects by Rio de Janeiro-based Mauricio Dias and Walter Riedweg who develop works with communities and social groups often on the edges of mainstream society.
Emilia Telese explores peer review funding for the arts within a holistic art and social environment.
Andrew Bryant delves into the student blogs on Degrees unedited and provides insights and analysis into what they reveal.
Professional development opportunities are widely available, ranging from cash awards to advisory sessions and critical debate.
One of the main tendencies in public space has been to minimise risk providing mini-cities in which risk has been all but removed.
Jane Watt outlines the core strengths of NAN and looks to the future.
Mike Stubbs examines some issues facing artists.
Artists motivations when working in the public realm.
Recent graduates on their first year as professional artists.
a-n’s Director of Programmes Susan Jones introduces Good practice in paying artists.
Or: Where do you go? Who goes there? Who are we anyway? Carolyn Black enquires.
Devised by Grizedale Arts, Romantic Detachment features artists from the UK and the USA. Brian Dewans text forms part of his performance/installation for the exhibition.
Iliyana Nedkova responds to the networking themes that arose at Amorphous combustion, part of a body of specially commissioned writing published now on www.a-n.co.uk
Janet Summerton reviews some recent research about the environment for artists and points to the need for more ‘hard facts’ and less rhetoric in today’s labour market.