On the cover – 2008 October
Ruth Claxton, Postcard (Portrait of a Boy), cut postcard, 2008. Photo: Stuart Whipps
Ruth Claxton, Postcard (Portrait of a Boy), cut postcard, 2008. Photo: Stuart Whipps
Naori Priestly who graduated from the Royal College of Art last year with a MA Constructed Textiles is one of 300 makers selected to show in Origin 2008.
Highlighting digital and new media commissions, exhibitions, research and resource developments.
Public artist or visual artist? Open or closed? Fee-paid or speculative? Drawn from interviews, Mark Gubb brings points of view from public art commissioners and consultants into a debate started by artists in the April issue of a-n Magazine.
Rachel Lois Clapham discusses David Blandy’s Artangel commissioned project Radio Nights that aimed to uncover aspects of nocturnal London that would otherwise be invisible to regular city dwellers.
Catherine Wilson addresses three collaborative projects by Rio de Janeiro-based Mauricio Dias and Walter Riedweg who develop works with communities and social groups often on the edges of mainstream society.
Publicly-funded arts organisations are exhorted to extend participation in the arts by getting more people actively engaged in off-site and public realm programmes. Alongside, those in the business world are increasingly aware of the advantages of bringing artists ideas into development and regeneration projects. Here we highlight selected projects happening over the summer within the wider public domain.
Emilia Telese explores peer review funding for the arts within a holistic art and social environment.
Imagine attending a concert but instead of sitting or standing, you walk.
Animate Projects is looking for ambitious, original and thought-provoking proposals that develop the possibilities of animation: films that explore ideas of what animation is, with new forms and processes, compelling narratives, and challenging content.
Recent correspondents have made some very valid points regarding unpaid public art commissions.
I have been reading with great interest and thinking a lot about the issue of unpaid public art proposals (a-n Magazine, Letters, April, May, June).
Frances Lord pulls together themes and strands that emerge from sixteen newly-commissioned interviews, which reflect the sheer diversity of working practice within the applied arts.
Students from universities and art colleges across the UK will be travelling to the capital to showcase their work over the summer.
To preface a new ongoing series exploring relationships between artists and their collaborators, we asked some of today’s most interesting curators for insights into their practices.
I am writing to lend support to the ideas expressed in the letter How do other artists feel about unpaid public art competitions? (a-n Magazine, April).
Report first published in 2007 on www.forma.org.uk after an exciting year in which Forma achieved substantial growth in terms of programme, turnover and structure.
We are self-employed sculptors with wide experience making artworks for the public realm.
Are you thinking of applying for a grant or award? Over £2.3m was openly offered in these categories through a-ns Jobs and opportunities last year. As its a highly competitive activity, weve compiled this guide to making applications, including some top tips from a range of experienced artists, curators, and arts professionals…
News of John Newling’s residency and The Art House opening.
A look at the Glasgow international festival, Asian art triennial and Bucharest Biennale 3.
A look at the winners of recent competitions and prizes.
An overview of funding news for England, Wales and Scotland.
To celebrate the launch of Artists talking, Jane Watt explores the development of Projects unedited, a-ns open space for artists blogs.
In this the second feature exploring strategies and approaches to commissioning art in the public realm, the focus is on regeneration and renewal and the role of agencies and consultancies.