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On a-n

“The UK’s leading information and advocacy organisation for artists and their collaborators”, a-n, a newsletter and ‘artists information company’, has become so grossly over laden with the argot of management consultancy.

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Turning point

The launch of Arts Council England’s new strategy for contemporary visual arts heralds the sector’s prioritisation by ACE.

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Making a difference

June marks the completion of a-n’s 25-year programme of research, debate and publishing.

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Radical change

The Meeting of Minds Brain Sciences Project1 put citizens from nine European countries in open dialogue with brain scientists and policymakers, to explore and make decisions on key future concerns.

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Editorial – 2006 February

Notions of sharing knowledge and experiences – both good and bad – are inherent within those who seek continuous improvement and development in their artistic practices.

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Editorial – 2006 January

“The big difference between working in Britain and Europe is that here, you are not really expected to debate ideas. Money and marketing are what matter most. We live in an events culture in the UK.” 1 This remark from […]

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Curated encouragement

I read a-n’s publication Future forecast: Curated Space, edited by Manick Govinda. I thought it was really good and was inspired. Especially liked Louise Short and The Centre of Attention’s Pierre Coinde’s contributions and have written their comments in my […]

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Editorial – 2005 November

What if every school had a studio where children, parents, carers and teachers had the opportunity to experience art and discuss ideas with artists on a daily basis? What if every regeneration programme included a team of artists from the […]

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Social space

Just a short note of thanks for asking us to participate in the Social space think-tank in September. We felt it really began to explore some of the important issues around the making of art in social space. In an […]

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You're not my friend, I'm just lonely
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Art Sheffield 05: Spectator T

Art Sheffield 05: Spectator T is an ambitious city-wide contemporary art event taking place within the city’s major galleries, project spaces, non-gallery venues and public sites between 28 October and 27 November. The programme includes a mix of emerging and […]

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Student access to a-n

We’ve already had fourteen establishments sign up to our new subscriber package, offered in conjunction with JISC (The Joint Information Systems Committee) within a couple of weeks of its launch and have many more currently taking part in a free […]

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Editorial – 2005 October

Exchange between public and private can be difficult – as politicians find when arguing for corporate investment into education, healthcare and transport. But what might first appear to be radically different viewpoints are perhaps less so when notions of sustainability […]

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Guest editors appointed

Our 25-year publishing schedule continues with guest editors appointed for the forthcoming months. In October Deborah Smith is guest editor for the third in the a-n Collections series with a newly commissioned set of writing “embedded within sites of specifity” […]

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Research model

The success of the Future forecast research-based publication series has generated many favourable comments (including Manick Govinda’s epithet of “provocative”), and has been the catalyst for a new publications series due to start in June 2006. a-n Research papers will […]

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Editorial – 2005 September

As well as this year’s rigorous paper publishing schedule alongside a-n Magazine (see a-n news for upcoming guest editors and themes) we’re pushing ahead on new strategies for web-specific material and interactive content. This month sees publication on www.a-n.co.uk of […]

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Editorial – 2005 August

Feedback from artists involved in July’s artists’ research trip to Berlin highlights some of the benefits from artists’ involvement in the NAN initiative. Miranda Whall, in Berlin for a six-month residency, and organiser of the Berlin programme confirms how doing […]

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Diversity views

Research undertaken by Axis (formerly Visual Associations) reveals a lack of interest amongst black and minority artists in being labelled by cultural identity unless this is relevant to their work. Findings suggest that current diversity policies are counterproductive because artists […]

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