Audience development is core within galleries and arts organisations seeking diverse participation in programmes. Here, we examine how they create accessibility, inclusion and encourage learning and engagement with artists and artworks through activities including workshops, residencies and other projects.
The relationship between the collective Ganghut and Scottish Sculpture Workshop (SSW) began with a residency and subsequent events, and has now developed into construction of a semi-permanent project space.
Artist Aaron Williamson and Directors of Beaconsfield gallery David Crawforth and Naomi Siderfin discuss the 15mm Films collective.
Selected reports on both current and upcoming residency programmes in the UK and beyond.
In a response to a request to consider issues around ‘rural arts practice’, Veronica Vickery writes in the light of the events, performances, installations and seminar that made up BOS-08 and a BOSarts research trip, funded by ALIAS to Grizedale and Allenheads Arts in August 2008.
London-based Artquest has launched a new free international networking and studio exchange site for visual artists. By joining Artelier, users anywhere can create and update a free profile, providing details about your studios across the Artelier network. The aim is […]
Group Process is the latest season of work to be staged by Radar, Loughborough University’s contemporary arts programme. Running into February; it involves new and adapted commissions produced by artists Lisa Cheung, Yvonne Droge Wendel, public works / myvillages.org, Parfyme and Yara El-Sherbini.
The British Ceramics Biennial (BCB), launched on 1 December 2008 and directed by A FINE LINE partners Barney Hare Duke and Jeremy Theophilus, is a major initiative to create a programme of events and activities and a showcase Biennial event in Stoke-on-Trent to take place in October/November of 2009, 2011 and 2013.
Artist Neil Armstrong and pharmaceuticals company Specials Clinical Manufacturing talk about working towards a special commission in the latest of our collaborative relationships series.
Ally Wallace on his residency at Victoria Baths, Manchester.
With half the UK’s population residing outwith urban conurbations, and regional and arts and cultural policies prioritising local engagement, locations often regarded as countrified are strategically raising their art world profile through imaginative programmes and project.
In a world increasingly skewed by notions of commodity and markets, artists and creative practitioners must be proactive in seeking out opportunities that enable them to experiment and take the risks that will drive up the quality of their work.
Lauren Healey discusses Gallery Glue’s relationship to NAN.
Edited by Catherine Wilson, Community engagement explores the myriad ways artists can engage with specific communities via residencies, collaborations, cross-cultural projects and research. Alongside Wilson’s introductory text are interviews with artists Gayle Chong Kwan, Guyan Porter, Mauricio Dias and Walter […]
Artists talking hosts blogs from artists engaged in a wide range of practices and at all stages of their careers.
This month sees numerous milestones and celebrations for a-n: firstly, Interface is one year old and to mark the occasion, Reviews has been compiled by its Online Editor Rosemary Shirley whose selection of Interface entries from the past twelve months demonstrate the quality and potential of online reviewing.
Highlighting digital and new media commissions, exhibitions, research and resource developments.
HTML version of Community engagement in which Catherine Wilson explores the myriad ways artists can engage with specific communities via residencies, collaborations, cross-cultural projects and research.
Kathy Rae Huffan describes Central Asian Project, a programme of residencies and cultural exchange between artists from the UK and Kazakhstan that took place between 2006-08.
Kai-Oi Jay Yung speaks to Guyan Porter about his residency at Chandrasevana Creation Centre in Sri Lanka.
Publicly-funded arts organisations are exhorted to extend participation in the arts by getting more people actively engaged in off-site and public realm programmes. Alongside, those in the business world are increasingly aware of the advantages of bringing artists’ ideas into development and regeneration projects. Here we highlight selected projects happening over the summer within the wider public domain.
Opinions on arts council investments, attitutes towards artists, and studio politics.
Frances Lord pulls together themes and strands that emerge from sixteen newly-commissioned interviews, which reflect the sheer diversity of working practice within the applied arts.
Open studio events are an insight into how artists make work, giving a very different perspective from seeing finished works in a gallery setting or a commissioned piece in a public space. Here we take a look at some of the studios opening their doors over the next few months.
As a precursor to the Waterfront Public Art Strategy, Halton Borough Council commissioned artists’ residencies within the Widnes Waterfront Economic Development Zone in 2007.
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