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Kate Brundrett talks to Paul Rooney about his work, residencies and winning this year’s Northern Art Prize.

Paul Stone talks to Kit Kingsbury about her three-week residency at the Hungarian Multicultural Center in Hungary.

Paul Stone talks to Sheena Macrae about her three-month residency at Gertrude in Melbourne, Australia and its huge impact on her practice.

Paul Stone talks to John Walter about his time at the British School at Rome.

Kate Stoddart profiles jeweller Cynthia Cousens, looking specifically at awards, exhibitions and research projects.

Penny Jones talks to Deirdre Nelson about her textile-based work, often made in response to museum collections or site histories and informed by local communities, and residencies in the Scottish Highlands and Australia.

Kate Stoddart profiles Andrea Walsh, discussing the development of her practice in ceramics and glass, work/life balance and the outcomes of a residency at Cove Park.

Charlotte Frost delves into the on and offline world of Furtherfield.org, where web surfers are encouraged and enabled to become co-producers in art making/situating via platforms such as VisitorsStudio and projects like DIWO (Do It With Others).

S Mark Gubb profiles R O O M and learns about its journey from artist-led venue in Bristol to a commercial space in London.

S Mark Gubb profiles no.w.here, an artist-run project space which expands and examines film within contemporary arts practice.

What gives a particular place its characteristics? Why are some cities hip and others lame? How does a neighbourhood change from good to bad?

Sally Davies profiles Kypros Kyprianou, discussing his interest in scientific themes, collaborative working and residencies at Artsway and Allenheads Contemporary Arts.

Karin studied BA (Hons) Fine Art from 1999-2002 at Birmingham Institute of Art and Design, University of Central England. She now works in partnership with Reuben Henry, both in the residencies they offer at Springhill Institute – the studio in Birmingham that they set up in 2003 – and embarking on residencies abroad to make their own work.

Nicky Hodge featured in the Fine art and Painting sections of a-n’s Signpost publication for new graduates in 2001-3. Since then, exhibitions with Danielle Arnaud Gallery have served to demonstrate the value of the artist-gallery relationship.

Antony Hall undertook an MA in Art as Environment at Manchester Metropolitan University, graduating in 2002. Since then, his work has had an emphasis on technology, usually in the form of long-term research projects, residencies, performance, web and sound art.

David Kefford is a sculptor who uses low-tech craft processes to transform found objects into surreal creations imbued with human characteristics and emotions.

Sara Raza on Grace Ndiritu, a young London based artist who is enjoying an upwards ascent with an impressive portfolio of national and international exhibitions, that present a fresh style of politics and performativity.

What I like about being an artist

Nests and cocoon-like forms intrigue me because they are often built directly into existing structures, such as trees or architectural features.

Gordon Dalton discusses the career progress of Bedwyr Williams, including Venice Biennale, his Paul Hamlyn Award and having a base in North Wales.

In December 2003 I undertook a residency at Ramsgate Maritime Museum in partnership with Turner Contemporary.

Last year I did a residency at the IAAB, an international artists exchange programme in Basel, Switzerland.