Page 2152 – a-n The Artists Information Company

Chris bellinger, 'Mountain', Mixed, 10/4/09. Photo: Chris Bellinger. A detail of one of the paintings

Chris Bellinger, 'Paintings in a Row', Mixed, 10/4/09. Photo: Chris Bellinger. Paintings in a row

Chris Bellinger, 'Studio Space', Acrylic and Mixed Media, 10/4/2009. Photo: Chris bellinger. A Photo of my studio space, playing around with my paintings

'Piano Concerto No 1(detail)'.

Caitlin Heffernan, Pencil and paper, February 2009. Photo: Caitlin Heffernan. Courtesy: Caitlin Heffernan.

Caitlin Heffernan, 'We Felt As Though We Had Landed on Mars', Coloured pencil and paper, April 2009. Photo: Caitlin Heffernan. Courtesy: Caitlin Heffernan.

Caitlin Heffernan, 'We Felt As Though We Had Landed on Mars', Coloured pencil and paper, March 2009. Photo: Caitlin Heffernan. Courtesy: Caitlin Heffernan.

Luke Powell & Tom Blaker, '(vandalised) Brick Wall'.

Carwyn Evans, 'Movement (Bro Dyfriogl)', MDF, tensile wire, glass, cuckoo clock movement and attachments, 2009. Photo: Carwyn Evans. Courtesy: the artist. Installation, 4 items, 1000 x 450 x 350mm each

Carwyn Evans, 'Think of Home, Turn ', Photographs, Found objects, 2009. Photo: Carwyn Evans. Courtesy: the artist. Hand C-type prints mounted on aluminium, 30 x 40", Installation, dimensions variable

Carwyn Evans, 'Turn', Found objects, 2009. Photo: Wanda Zyborska. Courtesy: Wanda Zyborska. Installation, dimensions variable

Carwyn Evans, 'As you are, Everything seemed so simple and beautiful', Photograph, 18 x 18", installation, 2009. Photo: Wanda Zyborska. Courtesy: Wanda Zyborska. Framed C-type print, installation as above

Carwyn Evans, 'Everything seemed so simple and beautiful', Pine, plywood, MDF, card, model railway materials, mixed media, 2009. Photo: Carwyn Evans. Courtesy: the artist. Installation, 5 structures measuring 1700 x 600 x 600mm (base taking an area of 600mm square, table area measuring 400mm square)

Photo: Jon Bowen. Son with birthday presents

Photo: Jon Bowen. Excited daughter, on brother's birthday

2009. Photo: Jon Bowen. The hand from hell

Geoff Simpson, 'untitled'.

Geoff Simpson, 'untitled'.

Jon Bowen, 'Red', Acrylic on Canvas, 2001. Photo: Paul Freestone. Another one of the series of 40 small unstretched canvasses

Maggie Rose, 'Vivienne', perspex and mixed media maquette, 2009. Photo: Eldi Dundee. Courtesy: the artist. Maggie's maquette for the Canary Wharf group summer show proposal at the bank 

Maggie Rose and Eldi Dundee, 'installation view of (left) Dear Deer, (right) Wives of Jacob 3', film and oil painting, respectively, 2009. Photo: Eldi Dundee. Courtesy: the individual artists. Not to do with the Canary Wharf proposals, but a snippet of previous (and ongoing) work by two of the artists who will be showing, from an earlier group show in E London. Both have been working with mythical narratives and primal female creative/destructive energies in their own ways-- Maggie with the forest and deer imagery and also this notion of a creature that is part woman, part stag, ('a creature born out of the internal battle between instinct and reason') and Eldi using the female wrestlers imagery to explore the struggle between not just female objectification v. agency, but also carnality and spirituality.

Maggie Rose, 'My Enchanted Forest', mixed/ installation, 2009. Photo: Eldi Dundee. Courtesy: the artist. (see above)

Maggie Rose, 'My Enchanted Forest', mixed/ installation, 2009. Photo: Eldi Dundee. Courtesy: the artist. (see above)

Maggie Rose, 'My Enchanted Forest', intstallation / mixed media, 2009. Photo: Eldi Dundee. Courtesy: the artist. Paper cutouts of photocopies of tree imagery are blue tacked to the wall, while a fan on the floor sways them gently or violently depending on their position on the wall in relation to the fan.

Maggie Rose, 'A nest of 40 eggs', deer antlers, acrylic paint, hollowed-out brown eggs, fairy lights, 2009. Photo: Eldi Dundee. Courtesy: the artist.