Page 2153 – a-n The Artists Information Company

Jon Bowen, 'Red', Acrylic on Canvas, 2001. Photo: Paul Freestone. Another one of the series of 40 small unstretched canvasses

Maggie Rose, 'Vivienne', perspex and mixed media maquette, 2009. Photo: Eldi Dundee. Courtesy: the artist. Maggie's maquette for the Canary Wharf group summer show proposal at the bank 

Maggie Rose and Eldi Dundee, 'installation view of (left) Dear Deer, (right) Wives of Jacob 3', film and oil painting, respectively, 2009. Photo: Eldi Dundee. Courtesy: the individual artists. Not to do with the Canary Wharf proposals, but a snippet of previous (and ongoing) work by two of the artists who will be showing, from an earlier group show in E London. Both have been working with mythical narratives and primal female creative/destructive energies in their own ways-- Maggie with the forest and deer imagery and also this notion of a creature that is part woman, part stag, ('a creature born out of the internal battle between instinct and reason') and Eldi using the female wrestlers imagery to explore the struggle between not just female objectification v. agency, but also carnality and spirituality.

Maggie Rose, 'My Enchanted Forest', mixed/ installation, 2009. Photo: Eldi Dundee. Courtesy: the artist. (see above)

Maggie Rose, 'My Enchanted Forest', mixed/ installation, 2009. Photo: Eldi Dundee. Courtesy: the artist. (see above)

Maggie Rose, 'My Enchanted Forest', intstallation / mixed media, 2009. Photo: Eldi Dundee. Courtesy: the artist. Paper cutouts of photocopies of tree imagery are blue tacked to the wall, while a fan on the floor sways them gently or violently depending on their position on the wall in relation to the fan.

Maggie Rose, 'A nest of 40 eggs', deer antlers, acrylic paint, hollowed-out brown eggs, fairy lights, 2009. Photo: Eldi Dundee. Courtesy: the artist.

Maggie Rose, 'My Enchanted Forest', deer antler and paper, 2009. Photo: Eldi Dundee. Courtesy: the artist.

Alex Pearl, 'Goodbye to most of the daydreams', installation shot, 2009. 'Cyclorama' and 'Ice Flo with Artists'

Alex Pearl, 'Goodbye to most of the daydreams', installation shot, 2009.

Anna Dumitriu, ‘Institute of Unnecessary Research, Neurofeedback Food Tasting, Brighton Marina’, (with Luciana Haill).

Anna Dumitriu, 'Collecting Bacterial Sample in Vienna', 2008

Anna Dumitriu, ‘Chair and Bed Flora’, (with John Paul), installation, Shunt Lounge, 2008.

Anna Dumitriu, ‘The Sensitive Project’, (with Helen Smith), embroidery, Varndean School, 2007.

Anna Dumitriu, ‘Myth of Consciousness’, (with Blay Whitby), performance Shunt Lounge, 2009.

Anna Dumitriu, ‘School Flora’, 2009.

Anna Dumitriu, ‘Cybernetic Bacteria 1’, (with Simon Park), performance, Brighton Media Centre, 2008.

Grennan&Sperandio, William Titley. Photo: Alison Kershaw. lower gallery at Castlefield Gallery

Joe Richardson, 'community empowerment networks are the lining paper of the regeneration industry', 2008. Photo: Alison Kershaw.

Andrew Wilson , Grennan&Sperandio, 2008. Photo: Alison Kershaw.

Andrew Wilson, 'the Connections 3 board games', 2008. Photo: Alison Kershaw. upper gallery, Castlefield

Hafsah Naib, 'TV', 2008-9. Photo: Alison Kershaw. at Castlefield

jil moore, 'Slapstick a Triptych Curly Larry Mo', 2008.

jil moore, 'Slapstick a Triptych Curly Larry Mo', 2008. Photo: Alison Kershaw. at Castlefield Gallery 2009

William Titley, 'Monument ', 2009. Photo: Alison Kershaw. at Castlefild Gallery