Malcolm Tait, ‘In search of Albion.’
The new signs have brought greater numbers to the piece and the interaction is enthusiastic, however with a large passing audience I feel more can be done to develop the engagment further.
‘Feeding the creative urge’
Glenn Cruddas, ‘Projecting Text’
Glenn Cruddas, ‘The wall ready to go’
Alex Pearl, A scan of the chosen image, the real thing won't really look like this.
Kastanienallee, Prenzlauer Berg, East Berlin
View now from Studio Kitchen window
Zionskirche Fleamarket, Berlin
‘Laurence Chalks Wobbly Lamps’.
‘We Beneath by Lizzie Jones’.
Shan Miller, ‘Large Farmyard’, Acrylic, 197cm x 135cm, 2002.
Gluegroup, ‘Futurism Is Ours’
The Children's work. Picture taken at the preview.
Malcolm Tait, ‘In search of Albion’
A lot people who interact with the piece do so by taking photographs of family of friends within the installation, making there own souvenir of the piece rather than the postcard we issue free.
St Christopher's feet, Hardley, Norfolk.
Taking St Christopher's image, Seething, Norfolk.
Not for the fainthearted. Have seen quite a few older men cycling their wives around, but not the other way round - yet.
These two towers are apparently one building that will meet - looks pretty precarious somehow...apparently there is trouble with the complex building of it.
Gluegroup, ‘Installing the work’
Mark puts the spotlight on the children's work
