Page 2473 – a-n The Artists Information Company
Madeleine Furness, ‘Lightning Safe Jewellery - Zipper’, Colour inkjet print, rubber insulated aluminium frame, 2003.
From Lightning Injuries - Burns and Cutaneous Markings (Heads, Shoulders, Knees and Toes) series
Madeleine Furness, ‘Lightning Safe Jewellery - Claw Ring’, Synthetic rubber insulated solitaire setting, 2003.
Photo: Robin Turner.
From commercial multiples range
Francis Upritchard, ‘Untitled’, 2003.
Courtesy: Kate MacGarry/the artist.
Francis Upritchard, ‘Sloth’, Fur, kid gloves, cabinet, 2003.
Courtesy: Kate MacGarry/the artist.
Juliana Marie Capes, ‘Pavement Astronomer’, Chalk, Variable, 2003.
Byres Road, Glasgow. Part of Cabin exchange 2003.
Malcolm Martin.
Courtesy: Shipley Art Gallery, Tyne and Wear Museums.
Lawson Oyekan.
Courtesy: Shipley Art Gallery, Tyne and Wear Museums.
Keiko Mukaide.
Courtesy: Shipley Art Gallery, Tyne and Wear Museums.
Keiko Mukaide.
Courtesy: Shipley Art Gallery, Tyne and Wear Museums.
Bodo Sperlein, ‘Three Sized Plates and Cup Bowl’, 1997.
Photo: Graeme Duddridge. Courtesy: Crafts Council Photostore.
Michael Marriott, ‘6 Series Sardine tin drawers’.
Courtesy: CraftsCouncil Photostore.
Tim Stoner, ‘Feste’, 2001.
Courtesy: Deutsche Bank Collection.
Hermelinde Hergenhahn, ‘Day in Day out IX’, video projection.
Sally McKay, ‘Hellenic Wrestlers’, charcoal, 2003.
Sally McKay, ‘Body of Light’, galvanized wire, 2003.
Tapio Heikkila, ‘Monitoring of visual changes in landscape’, Halikko, 04.05.2000.
Tapio Heikkila, ‘Monitoring of visual changes in landscape’, Halikko, 10.03.2000.
Joav Weiss, ‘Artistic Advice’, 2003.
Aya Iguchi, ‘Wishing Line’, 2003.
Dafna Moscati, ‘You killed my brother’, performance, 2003.
Photo: Ulrike Enslein.
Baruch Shacham, ‘The Cave’, 2003.
Photo: Ulrike Enslein.
Liron Meshulem, ‘Cleaning the old city walls’, 2003.
Photo: Ulrike Enslein.
Jonathan Touitou, ‘Walking in Jerusalem (artist waiting outside Makhane Yehuda market)’, 2003.
Photo: Ulrike Enslein.
Ulrike Enslein, ‘Confession Box’, 2003.
Photo: Ulrike Enslein.
Juan delGado, ‘Untitled #15’, c-print, London, 2001.
From The Wounded Image series