Page 2475 – a-n The Artists Information Company

Frances Priest, ‘Tall double curved series V’, slab formed clay, 2003.

'What is craft?' exhibition at the Hub

‘The Hub’.

Sleaford

Debbie Akam, ‘Exchange’, video installation.
Photo: Pori Medlock.
Part of Chrysalis Arts' Transformation and Change project for Skipton Renaissance Market Towns programme

Alla Syed, ‘Eating Grass’, 2003.

film stills

Alla Syed, ‘Eating Grass’, 2003.

film stills

Andrea Walsh, ‘Untitled’, bone china and float glass, 2003.

Andrea Walsh, ‘Untitled’, bone china and float glass, 2003.

Helen Knowles, ‘Growth Investment’, cast paper, 2003.

Adam Dant, ‘The People Who Live on The Plank’, ink on paper, 122 x 224cm, 2001.

Frances Brennan, ‘Hubris’, stainless steel, 2002.

Sharon Elphick, ‘Autumn’, photographic transfer on canvas, 2002-03.

Juan delGado, ‘Untitled #2’, c-print, London, 1997.

From The Wounded Image series

Gillian Wylde, ‘It'sarealdeadringerforlove’, 2003.

Gillian Wylde, ‘It'sarealdeadringerforlove’, 2003.

Gillian Wylde, ‘It'sarealdeadringerforlove’, 2003.

Gillian Wylde, ‘It'sarealdeadringerforlove’, 2003.

Jane Brettle, ‘Fahima, Katy, Clare: Newcastle, 1999’.

The Three Graces: Le Grazie, Antonio Canova, 1815017, National Galleries of Scotland, from the series: Restoration works, Lambda print, 2000. From the Deutschebank art collection.

Angela Carter-Rhodes, ‘Development of colour and form 1’, photograph on MDF, 2003.

Angela Carter-Rhodes, ‘Photo-printmaking Montage’, (detail), photographic paper, 2003.

‘Exhibition at Siggraph’, 2003.

‘Art Gallery at Siggraph’, 2003.

Lorna Green, ‘Doors of Perception’, five curved walls of peat blocks, seven doors painted blue, 15x8x2.5m.

Jo Thomas, ‘Minimal Crop Circles’, blades of grass and resin, 2002.

Brian Haddock, ‘Work in progress’.

Ellie Harrison, ‘Tictac typing’, interactive installation, 2002.