Page 2483 – a-n The Artists Information Company

Jim Partridge, ‘Bleached burr oak bowl on kissing seat’, burr oak, 2002.

Jim Partridge, ‘Kissing seat’, work in progress, burr oak, 2002.

Andrew Graham, ‘Dove of Peace’, three dimensional festive lights, 1997.

Commissioned for St George's Square by Glasgow City Council

Karen Emslie, ‘PUP 412, Lapland’, photograph, 2002.

Roxane Permar, ‘emplacements at The Red Banner Knitwear Factory’, digital montage, 2002.

Made in collaboration with participants, Gail Pearce and Oleg Yanushevsky, in the residency at The Red Banner Knitwear Factory, St Petersburg, Russia.

P Bray, Elaine Allison, ‘New Strains’, acylic panels, text, nylon line, 2003.

installation at Lauriston Castle, Edinburgh

Marion Coutts, ‘Target Nebula’, painted object, 2003.

Adele Prince, ‘Easyexercises’, screengrab from website, 2003.

‘Black Bean Theatre Company’, handmade dolls and Polaroid photographs, 2003.

Sparks

‘I'm... going to work’, handmade dolls, 2003.

Sparks

Sophie Calle, ‘The Chromatic Diet’, photographic prints and text, 1997.

Spencer Tunick, ‘Melbourne (no. 2 in edition of 6)’, cibachrome face mounted on plexi-glass, 125.5x156.5cm, 2001.

Franko B, ‘Wrapped Bunny, canvas and dried blood, from perfomance of 'I Miss You' at Tate Modern, March 2003’, glue and found/personal object, 37x20x18cm.

Franko B, ‘still life’, 2000-2002.

‘Mersey Wave Gateway’, Art2architecture.

‘Three Light Wands’, Art2architecture.

Effie Burns, ‘Absent Present II’, flat glass, 600x350x0.4cm.
© 2003.

Sharon McJannet, ‘Do not disturb’, glass, silicon, pigment, thread, 70x30x15cm, 2003.

Renata Heygi, ‘Sweet thing’, gelatin print, 73x112cm, 2003.

Andrew Cooper, ‘Eurhythmy maquette’.

Andrew Cooper, ‘Eurhythymy’.
Photo: Mal Bennett.

Wayne Chisnall, ‘Green man’, fibre glass and plastic, life size.

Chisnall is a member of Network A.D.

Steve Bradley, ‘Reading the River’, 2002.

Stefan Gec, ‘Truelove’, 2002-2003.

Gec highlighted Hull's whaling industry history and the story of an Inuit couple who had been brought back on one of the whaling ships, the Truelove, by an enlightened captain so that they could inform the British whalers and public about the brutality which their people faced at the hands of the whalers. Gec made copies of the plaster cast heads of the two Inuits which are on display in Hull's Maritime Museum. He then mounted the new busts on an existing steel pillar in the river, close to the Tidal Barrier.

Benedict Phillips, ‘Dark Water and Dry Dock’, 2002.