Page 2487 – a-n The Artists Information Company

‘Financial Arteries’.
Diagram from a-n December 1980 showing the distribution of arts funding in Great Britain at the time.

Emily Russell, Kristian De La Riva, ‘Do we have to play this game?’, still from 3-screen DVD, 2004.
Cover of a-n Magazine, December 2004.

Phillip Marsden, ‘Elgar (detail)’, 2004.

Helen Maurer, ‘Under Wood, Over Head’.
"The value of the Jerwood Applied Arts Prize 'the world's most prestigious prize in the decorative and applied arts' will double in 2005, to £30,000, along with the introduction of the new category of metal – covering all aspects of metalwork practice including siversmithing, goldsmithing, external architectural structures and smaller scale sculptural pieces – in the cycle of disciplines covered".

Norma Thallon, ‘Product Irregularities Are a Guarantee of Their Handmade Nature’, 2004.
Photo: Andrew Quinn.
In 2003 "Artist-run RED Gallery in Hull was a welcome exception, offering a '£300 fee to selected artists', although this was not a common feature in voluntarily-run artists-led ventures".

‘Area 10, Whitten Timber Yard’, 2002.
a "non hierarchical group with experiment, communication and collaboration at its core".

Sonia Boyce, ‘The Audition Curtain and The Infinity Finder’, 1999.
In 1999,"she'd never quite understood what residencies do for agencies that organise them and the groups that are supposed to interact with them. What does proximity have to do with a relationship anyway?"

Mah Rana, ‘Little Differences’, May-June 2004.
Series of photographs taken during residency at Monash university, Melbourne

Mah Rana, ‘Little Differences’, May-June 2004.
Series of photographs taken during residency at Monash university, Melbourne

Mah Rana, ‘Little Differences’, May-June 2004.
Series of photographs taken during residency at Monash university, Melbourne

Mah Rana, ‘Little Differences’, May-June 04.
Series of photographs taken during residency at Monash university, Melbourne

Mah Rana, ‘Little Differences’, May-June 2004.
Series of photographs taken during residency at Monash university, Melbourne

‘Students at the University prep course’.
Photo: Edoardo Malagigi.

‘Comic-strip style poster to promote weapon collection’.
Photo: Edoardo Malagigi.

Mohammad Hamid, ‘Dictionary of violence’, video stills, 2004.
Courtesy: The artist and CCAA Kabul, Afgthanistan.

Mark Wallinger, ‘Seeing is Believing’, lightbox in three parts, steel, aluminium, plexiglass, light fittings, each part 125x125cm, 1997.
Courtesy: Anthony Reynolds Gallery, London.

Peter Wells, ‘Still from Liquid Drawing’, DVD, 2004.

Paul Neale, ‘Where is America Please’, pencil on paper, 2004.

Emily Russell, ‘Do we have to play this game?’, still from 3-screen DVD, 2004.

‘Beyond the Valley’.
Interior shots

‘Beyond the Valley’.
Interior shots

Rosalind Nashashibi, ‘Untitled’.

Anthony Heywood, ‘Broken Family’, found materials, life-size.
Located at Bondi, Australia

‘Sculpture by Inflatable systems’.
One of the exhibitors at Creative Expo.

Richard Hughes, ‘I'll be having a word with someone from the council about this’, 2004.
Photo: Daniel Brooke.