Page 2487 – a-n The Artists Information Company

Karen Welsh.
Rapid prototype for Arts and Technology Partnerships.

Kuljit Chuhan, ‘Mete-motion’, interactive artwork for CD-ROM.

An exploration of how athletic self-discipline can counter barriers to personal and collective achievement through interactively remixing video and audio narratives.

Nina Pope, ‘A public auction of private art works’, 2001.

Pope's project, for which she commissioned over 30 artists, was supported by Commissions East.

‘Persistence Works at night’.

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Run by Yorkshire Artspace includes 9 spaces dedicated to startup businesses.

Daniel Sturgis, 2001.
The Berwick Gymnasium residency programme offers artists each year the opportunity to develop new work in an old army barracks in the coastal town of Berwick.

‘On the buses’, (detail), 2000.
Photo: Peter Barker.
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Hannah Lamb, ‘Bumpy Bag’, 22x25cm.
Photo: the artist.
Hannah Lamb was Artist-in-Residence at Coventry University as part of the Next Move scheme.

Graham Fagen, ‘Theatre 2000’, installation and projected play.
Photo: the artist.

Graham Fagen, ‘Weapons’, cibachrome print and text, 610x508mm, 1998.
Photo: the artist.

Graham Fagen, 'Nothank', installation and documentary, installation view at ICA, London, 1999. Photo: the artist

Graham Fagen, 'Peek-a-Jobby', installation and documentary, Matt's Gallery, London, 1998. Photo: the artist

Rona Lee, ‘The encircling shadow’.

Tessa J Fitzjohn, ‘Kiln in the Park’.

Year of the artist project for Torridge District Council, Bideford.

Tessa J Fitzjohn, ‘Filmbrigade Nord 2000’.

Project by East German film group for Somerset Art Week 2000, coordinated by Tessa Fitzjohn

Tessa J Fitzjohn, ‘WOMAD residency’.

Two South African artists from Kwanebele participating in the 1997 WOMAD residency project managed by Tessa Fitzjohn

Claire Twomey, ‘Ephemeral Objects’.

ceramic installation at Burton Art Gallery, Bideford, curated by Tessa Fitzjohn

Tessa J Fitzjohn, ‘Moment of Looking’, ceramic, 1998.

Joshua Sofaer, ‘Scavengers’, interactive performance & exhibition at the ICA, London, 2000.
Photo: Piers Allardyce.

Joshua Sofaer, ‘What is Live Art ?’, video, 2002.
Photo: Manuel Vason.

Joshua Sofaer, ‘What is Live Art ?’, video, 2002.
Photo: Manuel Vason.

Johanne Mills, ‘article for iNview magazine, edition no. 9’.

Johanne Mills, ‘Colours of the Vanishing Tribes exhibition, Milan’.

Johanne Mills, ‘Donna Karan bed and bath showroom installation’.

Johanne Mills, ‘Space of one's own’, Perspex, fluorescent light, orandie pigment, stitch.