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In May 2018 I spent 12 consecutive days drawing in John O'Groats Mill. The Mill has been in the same family since 1750. The current building dates from 1901. The last corn was milled in 2001 by Magnus Houston. Inspired by the large (door size) now rusty sieves, I designed a chiffon scarf which incorporated 27 of my 62 pen and ink drawings. Thanks to Rognvald Brown and Sina Houston for access to the Mill. ________________ Exhibition opening night at Lyth Arts Centre, Caithness. All welcome - a free event, just turn up! 29th June 7pm
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John OGroats Mill

by Joanne Kaar
In May 2018 I spent 12 consecutive days drawing in John O'Groats Mill. The Mill has been in the same family since 1750. The current building dates from 1901. The last corn was milled in 2001 by Magnus Houston. Inspired by the large (door size) now rusty sieves, I designed a chiffon scarf which incorporated 27 of my 62 pen and ink drawings. Thanks to Rognvald Brown and Sina Houston for access to the Mill. ________________ Exhibition opening night at Lyth Arts Centre, Caithness. All welcome - a free event, just turn up! 29th June 7pm
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Elvira Dyangani Ose, new director, The Showroom, London. Courtesy: The Showroom
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Elvira_3

by Chris Sharratt
Elvira Dyangani Ose, new director, The Showroom, London. Courtesy: The Showroom
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Sondra Perry, IT’S IN THE GAME ‘17 or Mirror Gag for Vitrine and Projection, 2017, single channel video, loop, color, sound, 16′34′′, installation view, 10. Berlin Biennale, Akademie der Künste (Hanseatenweg), Berlin, courtesy Sondra Perry; Bridget Donahue, New York. Photo: Timo Ohler
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by Chris Sharratt
Sondra Perry, IT’S IN THE GAME ‘17 or Mirror Gag for Vitrine and Projection, 2017, single channel video, loop, color, sound, 16′34′′, installation view, 10. Berlin Biennale, Akademie der Künste (Hanseatenweg), Berlin, courtesy Sondra Perry; Bridget Donahue, New York. Photo: Timo Ohler
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Tony Cokes, installation view, 10th Berlin Biennale, ZK/U Zentrum für Kunst und Urbanistik, Berlin, courtesy Tony Cokes; Greene Naftali, New York; Electronic Arts Intermix, New York. Photo: Timo Ohler
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by Chris Sharratt
Tony Cokes, installation view, 10th Berlin Biennale, ZK/U Zentrum für Kunst und Urbanistik, Berlin, courtesy Tony Cokes; Greene Naftali, New York; Electronic Arts Intermix, New York. Photo: Timo Ohler
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Belkis Ayón, installation view, 10th Berlin Biennale, Akademie der Künste (Hanseatenweg), Berlin, from left to right; La consagración [The Consecration], 1991, triptych, part I, monoprint on paper, collection Ludwig-Museum at the Russian Museum, St. Petersburg; La consagración [The Consecration], 1991, triptych, part II, monoprint on paper, collection Ludwig-Museum at the Russian Museum, St. Petersburg; La consagración [The Consecration], 1991, triptych, part III, monoprint on paper, collection Ludwig-Museum at the Russian Museum, St. Petersburg, photo: Timo Ohler
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by Chris Sharratt
Belkis Ayón, installation view, 10th Berlin Biennale, Akademie der Künste (Hanseatenweg), Berlin, from left to right; La consagración [The Consecration], 1991, triptych, part I, monoprint on paper, collection Ludwig-Museum at the Russian Museum, St. Petersburg; La consagración [The Consecration], 1991, triptych, part II, monoprint on paper, collection Ludwig-Museum at the Russian Museum, St. Petersburg; La consagración [The Consecration], 1991, triptych, part III, monoprint on paper, collection Ludwig-Museum at the Russian Museum, St. Petersburg, photo: Timo Ohler
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