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The Elephant in the Room – Four Nocturnes (2019) Three-channel HD color video installation, 7.1 sound Four Nocturnes is a new commission for the inaugural Ghana pavilion at the 58th International Art Exhibition of la Biennale di Venezia. Co-commissioned by the Ministry of Tourism, Arts and Culture of Ghana, Sharjah Art Foundation and Smoking Dogs Films with support from Lisson Gallery. Photo: David Levene John Akomfrah. The Ghana Pavilion, curated by Nana Oforiatta Ayim and designed by David Adjaye, at the 58th Biennale di Venezia. Venice Biennale. Venice, Italy. Photograph by David Levene 6/5/19

Selasi Awusi Sosu Glass Factory II (2019) Three-channel colour and black-and-white video installation with glass bottles, stereo sound. 7’08”, 5’33”, 10’10” Courtesy the artist. Photo: David Levene Selasi Awusi Sosu. The Ghana Pavilion, curated by Nana Oforiatta Ayim and designed by David Adjaye, at the 58th Biennale di Venezia. Venice Biennale. Venice, Italy. Photograph by David Levene 6/5/19

Ibrahim Mahama A Straight Line Through the Carcass of History 1649 (2016–19) Smoked fish mesh, wood, cloth, and archival materials. Dimensions variable. Courtesy the artist and White Cube. Photo: David Levene Ibrahim Mahama. The Ghana Pavilion, curated by Nana Oforiatta Ayim and designed by David Adjaye, at the 58th Biennale di Venezia. Venice Biennale. Venice, Italy. Photograph by David Levene 6/5/19

 Lynette Yiadom-Boakye, Just Amongst Ourselves (2019), series of paintings, oil on linen and canvas. Dimensions variable. Courtesy the artist; Corvi-Mora, London; and Jack Shainman Gallery, New York. Photo: David Levene Lynette Yiadom-Boakye. The Ghana Pavilion, curated by Nana Oforiatta Ayim and designed by David Adjaye, at the 58th Biennale di Venezia. Venice Biennale. Venice, Italy. Photograph by David Levene 6/5/19

El Anatsui. The Ghana Pavilion, curated by Nana Oforiatta Ayim and designed by David Adjaye, at the 58th Biennale di Venezia. Venice Biennale. Venice, Italy. Photograph by David Levene 6/5/19

El Anatsui Opening of Time (2019) Bottle caps and copper wires. Dimensions variable. Courtesy of the artist. Photo: David Levene El Anatsui. The Ghana Pavilion, curated by Nana Oforiatta Ayim and designed by David Adjaye, at the 58th Biennale di Venezia. Venice Biennale. Venice, Italy. Photograph by David Levene 6/5/19

Felicia Abban Untitled (Portraits and Self-Portraits) (c. 1960–70s) Digital images generated from original prints. 50 × 40 cm Courtesy the artist. Photo: David Levene Felicia Abban. The Ghana Pavilion, curated by Nana Oforiatta Ayim and designed by David Adjaye, at the 58th Biennale di Venezia. Venice Biennale. Venice, Italy. Photograph by David Levene 6/5/19

The Elephant in the Room – Four Nocturnes (2019) Three-channel HD color video installation, 7.1 sound Four Nocturnes is a new commission for the inaugural Ghana pavilion at the 58th International Art Exhibition of la Biennale di Venezia. Co-commissioned by the Ministry of Tourism, Arts and Culture of Ghana, Sharjah Art Foundation and Smoking Dogs Films with support from Lisson Gallery. Photo: David Levene John Akomfrah. The Ghana Pavilion, curated by Nana Oforiatta Ayim and designed by David Adjaye, at the 58th Biennale di Venezia. Venice Biennale. Venice, Italy. Photograph by David Levene 6/5/19

Lynette Yiadom-Boakye Just Amongst Ourselves (2019) series of paintings oil on linen and canvas. Dimensions variable. Courtesy the artist; Corvi-Mora, London; and Jack Shainman Gallery, New York. Photo: David Levene Lynette Yiadom-Boakye. The Ghana Pavilion, curated by Nana Oforiatta Ayim and designed by David Adjaye, at the 58th Biennale di Venezia. Venice Biennale. Venice, Italy. Photograph by David Levene 6/5/19

Charlotte Prodger, SaF05, installation view Venice Biennale 2019, courtesy of the Artist; Koppe Astner, Glasgow and Hollybush Gardens, London. Photography: Cristiano Corte

Charlotte Prodger, SaF05, 2019, single-channel video, courtesy of the artist; Koppe Astner, Glasgow and Hollybush Gardens, London

Charlotte Prodger, SaF05, 2019, single-channel video, courtesy of the artist; Koppe Astner, Glasgow and Hollybush Gardens, London

Charlotte Prodger, SaF05, installation view Venice Biennale 2019, courtesy of the Artist; Koppe Astner, Glasgow and Hollybush Gardens, London. Photography: Cristiano Corte

Charlotte Prodger, SaF05, 2019, single-channel video, courtesy of the artist; Koppe Astner, Glasgow and Hollybush Gardens, London

Charlotte Prodger, SaF05, installation view Venice Biennale 2019, courtesy of the Artist; Koppe Astner, Glasgow and Hollybush Gardens, London. Photography: Cristiano Corte

Cathy Wilkes Untitled, 2019 Egg tempera on linen 66.4 x 76 x 1.8 cm 26.1 x 29.9 x 0.7 in. Photo: Cristiano Corte © British Council; Courtesy: the Artist, The Modern Institute/Toby Webster Ltd, Glasgow and Xavier Hufkens, Brussels

Cathy Wilkes Untitled, 2019 (detail) Mixed Media Dimensions variable Installation view, Cathy Wilkes, British Pavilion, Biennale Arte, Venice, 2019. Photo: Cristiano Corte © British Council; Courtesy: the Artist, The Modern Institute/Toby Webster Ltd, Glasgow and Xavier Hufkens, Brussels

Cathy Wilkes Untitled, 2019 (detail) Mixed Media Dimensions variable Installation view, Cathy Wilkes, British Pavilion, Biennale Arte, Venice, 2019. Photo: Cristiano Corte © British Council; Courtesy: the Artist, The Modern Institute/Toby Webster Ltd, Glasgow and Xavier Hufkens, Brussels

Cathy Wilkes Untitled, 2019 (detail) Mixed Media Dimensions variable Photo: Cristiano Corte © British Council; Courtesy: the Artist, The Modern Institute/Toby Webster Ltd, Glasgow and Xavier Hufkens, Brussels

Cathy Wilkes Untitled, 2019 (detail) Mixed Media Dimensions variable Installation view, Cathy Wilkes, British Pavilion, Biennale Arte, Venice, 2019. Photo: Cristiano Corte © British Council; Courtesy: the Artist, The Modern Institute/Toby Webster Ltd, Glasgow and Xavier Hufkens, Brussels

Cathy Wilkes Untitled, 2019 (detail) Mixed Media Dimensions variable Installation view, Cathy Wilkes, British Pavilion, Biennale Arte, Venice, 2019. Photo: Cristiano Corte © British Council; Courtesy: the Artist, The Modern Institute/Toby Webster Ltd, Glasgow and Xavier Hufkens, Brussels.