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Robbie Coleman, Enclosure
Robbie Coleman, Enclosure, 2014. Installation view at Sanctuary 2015, Galloway Forest Dark Sky Park. Photo: Alison Boyes
Page 428 – a-n The Artists Information Company
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Cample Line Exterior
Cample Line, 2016. Photo: Mike Bolan
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The Stove, Dumfries
The Stove, High Street Neighbours, Dumfries, July 2017. Photo: Katie Anderson
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Nithraid
Nithraid, Dunking of the Salty Coo, September 2016. Photo: Kirstin McEwan
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Photo on 22-03-2013 at 17.34 copy
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Jessie Brennan_If This Were to Be Lost_2016-17_painted birch plywood on scaffold_1-9 x 19m_situated at The Green Backyard_Peterborough_Photograph by Jessie Brennan
Jessie Brennan, If This Were to Be Lost, 2016, painted birch plywood on scaffold, 1.9 x 19 m, situated at The Green Backyard, Peterborough. Photo: Jessie Brennan
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1-Temple of Agape, Morag Myerscough & Luke Morgan, photo Gareth Gardner
Morag Myerscough & Luke Morgan, Temple of Agape, . Photo: Gareth Gardner
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A Blueprint for Growth
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Rasheed Araeen / Kotzia Square
Rasheed Araeen, Shamiyaana—Food for Thought: Thought for Change, 2016–17, canopies with geometric patchwork, cooking, and eating, Kotzia Square, Athens, Documenta 14. Photo: Yiannis Hadjiaslanis
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Working together to build financial resilience1
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Working together to build financial resilience (2)
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CAPITAL MATTERS – How to buid financial resiliance
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CAPITAL MATTERS – AN ANALYSIS OF FINANCIAL CAPITAL IN THE ARTS COUNCIL ENGLAND RFO DATA
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Sarah Ball, AC14. 90 x 90 cm, oil on canvas
Sarah Ball, AC14. 90 x 90 cm, oil on canvas
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Bruce Nauman, Violins Violence Silence, 1981-2. ARTIST ROOMS, Tate and National Galleries of Scotland. Lent by Anthony d’Offay 2010. Copyright ARS, NY and DACS, London 2017
Bruce Nauman, Violins Violence Silence, 1981-2. ARTIST ROOMS, Tate and National Galleries of Scotland. Lent by Anthony d’Offay 2010. Copyright ARS, NY and DACS, London 2017