A new publication by US-based choreographer Andrew Simonet is a call to action for artists to harness their creative know-how to create an economically sustainable lifestyle.
Contemporary Art Society’s latest initiative, the Annual Award for Museums, will provide
Artist Neil Armstrong and pharmaceuticals company Specials Clinical Manufacturing talk about working towards a special commission in the latest of our collaborative relationships series.
In this month’s round-up we profile six open studio events.
Eighty-one artists have been selected from 235 applicants for the 2008 Glass Biennale exhibition.
The Somafree Institute of Psychoplasmics first appeared in David Cronenberg’s 1979 film The Brood, yet despite once suggesting that if he failed as a filmmaker he could always set up a real life Institute, its 21st Century emergence is not his own doing.
Information on the Cecil Collins Memorial Award for students.
Colliding geological and personal timescales.
Serendipitous encounters.
Five years ago I had no choice but to shake my inbred cynicism, learn social skills and become a hairy artisan.
Artist Bill Drummond is twinning Kensington in Liverpool with Kensington in London – through kettles.
There are things I want to touch or hold that lie beyond my reach, and ways to bring them closer.
I have always been inquisitive about technology.
In summer 2003 I took part in Excavate Overlay, a multi-disciplinary project involving artists, a writer/ anthropologist, archaeologists and members of a rural community in Caithness, Scotland.
My practice as an artist is about escape, about losing myself in the process of making art, escaping the world.
In the summer of 2003 I was one of five artists resident in Ivvavik Park, North West Canada.
Dark and claustrophobic, suffocating like it was no bigger than a box; upon opening its door her bedroom feels as tiny as a room in a dolls house.
(i) Dream one
The sloth creature is on a table and I am looking at its arse.
What do I do?
In the late seventies my parents took me to see Concorde at a local airshow, which I missed because I didn’t manage to look up in response to the supersonic audio.
When I moved to the Essex coast from London in 1999, I began experimenting with digital techniques while I was refurbishing my studio.
Ben Coode-Adams talks to Rob Kesseler and NESTA about their symbiotic relationship.
Jen Southern and Jen Hamilton discuss their collaboration on the ‘Distance Made Good’ project.
Lewis Carroll’s Alice books have been a source of inspiration since my first experience of them as a child.
Since I left art school in 1990, I have been creating work across art forms and for exhibitions.
I make site- and project-specific architectural glass that I prefer to create through close collaboration with architectural design teams and the community.
