We want to work with artists alongside community engagement to explore what people need from the places we care for now and in the future.
Artists are invited to submit proposals for a commission to be realised in Plymouth as part of the Weekender which takes place on 25th, 26th and 27th September 2020.
I’m running a workshop in a few weeks time. It’s for adults and its a way to discuss facial recognition. We’re going to be making flick books and gif using rubber stamps. Flick books are surprisingly tricky to make considering […]
I wanted to see how the google facial recognition technology works so I uploaded a photo of myself to google images and searched for other images with it. I wouldn’t have thought to do this normally.. it’s like one step […]
There’s many ways that people are trying to hinder the use of facial recognition. Most recently seen has been the actual dismantling of cameras during the current protests in Hong Kong. (Interestingly they echo the toppling of dictator monuments during […]
The point of this work is to explore what facial recognition technologies are and how they may affect our behaviour with regards to public gathering and protest. I have worked with six people who participated in public protest. A few […]
I’m been busy getting stuck in with the making of the placards. Tearing lightweight Japanese paper to size, prepping screens & ink, screen printing the multiple portraits (with George Barron, Double Elephant Print Workshop Screen Tech/Tutor), composing and gluing the […]
Yesterday I met with one of the founders of a Cornwall-based company “TouchByte” who sell and deliver facial recognition applications for a wide range of purposes. Jeremy Sneller was very open to meeting with me, and he was friendly and […]
Over many years I’ve been considering through my practice what part art can play in contributing to positive social change. Alongside this question, I have also been asking what forms activism takes. Traditionally activism is outward, energetic. At the public […]
Here’s the plan for what I’ll be making for the commission. It’s emerged quite slowly. I’m generally surprised at the amount of time it takes me to develop work. I spend equal amounts of thinking and making. My process is […]
“Our vision of the future is a FRICTIONLESS SOCIETY – where your face is your secure method of triggering other multiple day to day events. There will be no requirement for keys to enter your house, space facility or car, […]
This week I printed a series of photopolymers and monotypes onto a light weight Kozo paper. The plan was to layer up similar and the same images, but shifted, looking for the liminal portrait. A portrait that both ‘is’ and […]
Panopticon .. that’s a new word for me. It is satisfying to say and particularly in the context of the area of automatic facial recognition (AFR), gratifying to learn about. I was drawn to the Wikipedia page on the Panopticon […]
I spent Tuesday morning making my face into its own dot-to-dot drawing. Using this diagram as a guide (taken from the Wonderworks Museum information panel), I drew dots on my face that align with its form and structure. Places such […]
New work about facial recognition technologies and whether they will change the face of public protest. A commission by University of Exeter.
arriving home tonight i can still feel the excitement at being on site at the museum of making for the first time. that is – the first time at the museum during the refurbishment work. after receiving my site induction […]
We are amidst a global mental health crisis. To bring about policy and culture change, we must think outside the pillbox. Through an ACE-funded Unlimited commission #MagicCarpet, we argue for ‘lofty arts’ in effecting cultural change in mental health.
The painter and 2017 Turner Prize nominee is the first artist to be commissioned to produce a unique print to be displayed in diplomatic buildings across the world.
Illustrator Josie Brookes and animator Tom Madge collaborated over three years to produce a stop-motion animation for the NHS about managing persistent pain. The Newcastle-based artists talk to Lydia Ashman about how they worked with staff and patients to develop the film and why they came to represent pain as a cloud.
I’ ve been busy interviewing a resident of one the seven houses now comprising Kearsney Court, which was completed around 1900 as a residence for Edward Percy Barlow, the owner of Wiggins Teape, a paper manufacture. (Barlow is mentioned in Watermark, a Dover Arts […]
I have been commissioned by Dover District Council, to portray Russell Gardens in Dover Kent, the only example of Thomas H Mawson’s garden design in the South East that is open to the public: Kearsey Abbey and Russell Gardens form […]
