In 2009 and selected by regional groups, twelve arts commissions worth £5.4 million were awarded for the London 2012 Cultural Olympiad. Emily Speed takes a look at how some of the Artists Taking the Lead projects are progressing around the halfway point between commission announcements and their presentation.
A look at current projects and commissions taking place in unconventional settings.
How do artists go about delivering a very large commission to deadline? Emily Speed interviewed Shauna Richardson about her Artist Taking the Lead Commission: The Lionheart Project.
News of current public realm and gallery commissioning projects.
This month we profile a selection of open exhibition and public art commissioning projects, from applied arts opportunities to innovative site-specific works.
Artist Kirsten Lavers and Andy O’Hanlon (Arts Development Officer for South Cambridgeshire District Council) talk about Kirsten’s appointment as community artist for Orchard Park, which led to the ambitious multi-layered collaborative project, Crop Marks.
As part of the London 2012 Cultural Olympiad, the Unlimited programme is designed to celebrate disability, arts, culture and sport “on an unprecedented scale”.
Matthew Darbyshire lives in a bubble of deep turquoises, fuchsia pinks and acid yellows.
Bloomberg SPACE has launched COMMA, a dynamic new programme of commissions enabling artists to experiment and expand their work.
In 2009, the Contemporary Art Society (CAS) will celebrate 100 years of purchasing thousands of works of contemporary art for museums throughout the UK. As part of the celebrations, CAS will launch a major new award open to its nationwide […]
Consideration for the environment along with building community engagement feature within some recent projects organised in Yorkshire, Scotland, Wales Northumberland and Derbyshire.
What happens to all the unwanted avatars? When we no longer want these ‘second lives’, do they just revert to inert data held on a server?
Mark Gubb asks public art commissioners and consultants their views on how they select artists for commissions and what they expect artists to prepare for interview.
Jane Watt delves into the process of commissioning and looks at the organisations and bodies offering opportunities to artists at all stages of their careers. Fully updated for 2008.
Public artist or visual artist? Open or closed? Fee-paid or speculative? Drawn from interviews, Mark Gubb brings points of view from public art commissioners and consultants into a debate started by artists in the April issue of a-n Magazine.
Publicly-funded arts organisations are exhorted to extend participation in the arts by getting more people actively engaged in off-site and public realm programmes. Alongside, those in the business world are increasingly aware of the advantages of bringing artists’ ideas into development and regeneration projects. Here we highlight selected projects happening over the summer within the wider public domain.
Penny Jones profiles Fred Baier exploring the development of his career since the 1970s and commissions for an impressive range of private and public clients.
Frances Lord profiles Ismini Samanidou who designs woven fabrics for interior spaces, ranging from one-off pieces to limited edition textiles.
An introduction by Charlotte Frost to the different projects Electra has instigated utilising its own brand of ‘crosscontextualisation’ to co-opt audiences from existing genres.
We are self-employed sculptors with wide experience making artworks for the public realm.
Exploring the roles and reasons of selected organisations dedicated to widening access to the visual arts through commissioning temporary and permanent interventions in non-gallery spaces in the first of a two-part feature.
Susan Jones looks at the practice of Sabrina Cant, who works with glass, including her commission for Bookham United Reform Church.
Filmmaker Clio Barnard and sculptor Roger Hiorns are winners of the new Jerwood/Artangel Commissions worth £1million, promoted last year through a-n.
Why is ‘dyslexic’ such a hard word?
Selected texts on the approaches and strategies some artists have taken to define the environment for their individual practices. Featuring Pope and Guthrie, David Cotterrell, Graham Fagen, Gavin Wade, John Newling, Dominic Thomas, Sarah Cole and Rod McIntosh. Download pdf […]
